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THE LUMINEERS Cleopatra 2LP 180g Slate colored Vinyl Deluxe Limited Edition

FREE Album Download Inside Mastered for Vinyl
Objectstaat:
Nieuw
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Prijs:
US $57,99
OngeveerEUR 53,56
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Bevindt zich in: Manassas, Virginia, Verenigde Staten
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eBay-objectnummer:185600845082
Laatst bijgewerkt op 19 dec 2023 21:02:36 CETAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Nieuw: Een object dat niet is geopend of niet uit de verpakking van de fabrikant is gehaald (indien ...
Type
Double LP
Material
Vinyl
Features
180 - 220 gram, Deluxe Edition, Limited Edition, 180-220 gram, Colored Vinyl
Edition
Anniversary Edition, Collector's Edition, Deluxe Edition, Limited Edition
UPC
0803020174917
Artist
Lumineers
Format
Record
Release Year
2016
Record Label
Dualtone Music Group, Duat
Release Title
Cleopatra (Deluxe)
Genre
Rock

Over dit product

Product Identifiers

Record Label
Dualtone Music Group, Duat
UPC
0803020174917
eBay Product ID (ePID)
12046046581

Product Key Features

Release Year
2016
Format
Record
Genre
Rock
Artist
Lumineers
Release Title
Cleopatra (Deluxe)

Dimensions

Item Height
0.16 in
Item Weight
1.31 lb
Item Length
12.35 in
Item Width
12.30 in

Additional Product Features

Number of Tracks
15
Country/Region of Manufacture
United States
Tracks
1.1 Sleep on the Floor 1.2 Ophelia 1.3 Cleopatra 1.4 Gun Song 1.5 Angela 1.6 In the Light 1.7 Gale Song 1.8 Long Way from Home 1.9 Sick in the Head 1.10 My Eyes 1.11 Patience 1.12 Where the Skies Are Blue 1.13 Everyone Requires a Plan 1.14 White Lie 1.15 Cleopatra (Acoustic Demo)
Number of Discs
2
Notes
Deluxe double slate colored vinyl LP pressing with exclusive die cut cover. It took four years for The Lumineers to follow up their platinum-plus, multi-Grammy-nominated, self-titled debut - which spent 46 weeks on the Billboard 200 and peaked at #2 - but Cleopatra is well worth the wait. After exploding onto the scene with their monster single, "Ho Hey" (which spent a staggering 62 weeks on the Billboard Hot 100, peaking at #3) and it's follow-up, "Stubborn Love" (recently featured on President Barack Obama's Spotify playlist), The Lumineers spent a solid three years touring six of the seven continents. During that time, The Lumineers - whose original members Wesley Schultz and Jeremiah Fraites founded the band in Ramsey, New Jersey back in 2002 - earned a pair of Grammy nominations (Best New Artist, Best Americana Album), contributed two songs to The Hunger Games franchise (including the hit Jennifer Lawrence/James Newton Howard collaboration, "The Hanging Tree") and sold an impressive 1.7 million albums in the U.S., and 3 million worldwide. Cleopatra proves Schultz and Fraites - along with cellist/vocalist Neyla Pekarek- are neither taking their good fortune for granted, nor sitting back on their laurels. With the help of producer Simone Felice (The Felice Brothers, The Avett Brothers), the man Wesley calls "our shaman," the band ensconced themselves in Clubhouse, a recording studio high atop a hill in rural Rhinebeck, N.Y., not far from Woodstock. The Lumineers then set about trying to make musical sense of their three-year-plus roller coaster ride. Their skill at setting a visual story to music comes through amidst the delicate, deceptively simple acoustic soundscapes. This time, though, bassist Byron Isaac provides a firm, low-end on the apocalyptic opener "Sleep on the Floor," a ghostly tune about getting out of town before the "subways flood [and] the bridges break." It's a densely packed, cinematic song that echoes Bruce Springsteen's "Atlantic City" and John Steinbeck's East of Eden - which were models for the record alongside Bob Dylan, Leonard Cohen and Jack Nicholson in One Flew Over the Cuckoo's Nest. Cleopatra also deals with what Wesley terms "the elephant in the room," the band's success and the way it can sometimes put a target on your back. The syncopated piano rolls in "Ophelia" ("I got a little paycheck/You got big plans/You gotta move/I don't feel nothin' at all"), the organic sound of fingers squeaking on guitar strings in "Angela" ("The strangers in this town/They raise you up just to cut you down") and the Faustian bargain described in "My Eyes" ("Oh, the devil's inside/You open the door/You gave him a ride/Too young to know/Too old to admit/But you couldn't see how it ends") consider the perils of getting what you wish for, with everyone knowing your name, and your songs. The band had total artistic freedom in writing and recording the album, so Wesley and Jer pushed the envelope on experimental tracks like the stream-of-consciousness, purposely lo-fi "Sick in the Head," the yearning, piano chord build-up of "In the Light," or the closing orchestral instrumental, the aptly titled coda, "Patience." "We continue to make the kind of records we want to," says Wesley. "We believe in this music. It's a true labor of love. We just want to keep reaching more people with our songs." Given the evidence on The Lumineers' eagerly anticipated sophomore album Cleopatra, that shouldn't be a problem.

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