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Cinematography : Theory and Practice: Image Making for Cinematographe rs and Di...
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Specificaties
- Objectstaat
- ISBN
- 0240812093
- ISBN10
- 0240812093
- ISBN13
- 9780240812090
- EAN
- 9780240812090
- MPN
- does not apply
- Brand
- Routledge
- GTIN
- 09780240812090
- Publication Year
- 2011
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Publication Name
- Cinematography: Theory and Practice : Image Making for Cinematographers and Directors
- Item Height
- 0.9in
- Item Length
- 10.3in
- Publisher
- Taylor & Francis Group
- Item Width
- 7.3in
- Item Weight
- 40.1 Oz
- Number of Pages
- 370 Pages
Over dit product
Product Information
There's more to being a DP than holding a light meter! With this book as your guide, you are on your way to learning not only about the equipment and technology, but also about the concepts and thought processes that will enable you to shoot professionally, efficiently, and with artistic mastery. A leading book in the field, Cinematography has been translated into many languages and is a staple at the world's top film schools. Lavishly produced and illustrated, it covers the entire range of the profession. The book is not just a comprehensive guide to current professional practice; it goes beyond to explain the theory behind the practice, so you understand how the rules came about and when it's appropriate to break them. In addition, directors will benefit from the book's focus on the body of knowledge they should share with their Director of Photography. Cinematographypresents the basics and beyond, employing clear explanations of standard practice together with substantial illustrations and diagrams to reveal the real world of film production. Recognizing that professionals know when to break the rules and when to abide by them, this book discusses many examples of fresh ideas and experiments in cinematography. Covering the most up-to-date information on the film/digital interface, new formats, the latest cranes and camera support and other equipment, it also illustrates the classic tried and true methods. New! A DVD and website includes video footage, offering key instruction in topics such as camera basics and essentials, lighting, shooting methods, and much more. Topics include: . Concepts of filmmaking . Language of the lens . Cinematic continuity . Lighting for film, digital, and HD . Exposure . HD cinematography and shooting . Shooting in HD . Image control and filters . Bleach bypass processes . Lighting as storytelling . Shooting special effects . Set procedures and other issues The DVD files are also available at http://www.taylorandfrancis.com/cw/brown-9780240812090/.
Product Identifiers
Publisher
Taylor & Francis Group
ISBN-10
0240812093
ISBN-13
9780240812090
eBay Product ID (ePID)
109040669
Product Key Features
Publication Name
Cinematography: Theory and Practice : Image Making for Cinematographers and Directors
Format
Trade Paperback
Language
English
Publication Year
2011
Type
Textbook
Number of Pages
370 Pages
Dimensions
Item Length
10.3in
Item Height
0.9in
Item Width
7.3in
Item Weight
40.1 Oz
Additional Product Features
Lc Classification Number
Tr850.B7598 2011
Edition Description
Revised Edition,New Edition
Edition Number
2
Reviews
"A gorgeous piece of work that bids to become a classic text on cinematography....Few books on cinematography meld aesthetics and pragmatics as deftly as this one." --American Cinematographer "The gorgeous illustrations bring movies to life, and the modern approach that incorporates digital as well as film means that this book can be used for years to come." --Judy Irola, ASC. Head of Cinematography, USC School of Cinematic Arts "The book is a wonderful, well-organized and knowledgable collection of all information a cinematographer may need. I recommend it highly." --Andrew Laszlo, ASC "This book shows that there is more to the DP than holding the light meter--he needs to understand so much more about using photography to tell a story, create a mood, evoke an emotion. No other text I know of stresses this to this extent." --Douglas C. Hart, First Camera Assistant, Instructor, and Author of The Camera Assistant " Cinematography is a skillfully written guide to the technical craft and artistry of cinematography for today's cinematographers and directors. It presents each aspect of cinematography in precise language to help all filmmakers better understand the complexities with which the cinematographer engages during every moment of every shot." -Michael Hofstein, Director of Photography "Blain Brown's book is a necessity for anyone who is starting out or still working in the media acquisition industry." -Don Lampasone, Producer/Editor/DP/VFX Artist (Austin, TX) "[ Cinematography ] is a comprehensive, muscular, and authoritative guide to what cinematography means: [it] refreshingly addresses the why's with greater emphasis than the how's. A tourist's phrasebook and fluent speaker's aide memoire of the language and practice of making films." -Phil South, Writer, Film and Creativity Coach (http://goingdownwriting.wordpress.com), "The main purpose of this book is to introduce cinematography/ filmmaking as we practice it on a professional level. It includes the basic introduction to the essential concept of visual storytelling and more. Cinema is a language and within it the specific vocabularies and sublanguages of the lens, composition, visual design, lighting, image control, continuity, movement, and point-of-view. Learning these languages and vocabularies is a never-ending and a fascinating life-long study."--NeoPopRealism Journal "A gorgeous piece of work that bids to become a classic text on cinematography....Few books on cinematography meld aesthetics and pragmatics as deftly as this one." --American Cinematographer "The gorgeous illustrations bring movies to life, and the modern approach that incorporates digital as well as film means that this book can be used for years to come." --Judy Irola, ASC. Head of Cinematography, USC School of Cinematic Arts "The book is a wonderful, well-organized and knowledgable collection of all information a cinematographer may need. I recommend it highly." --Andrew Laszlo, ASC "This book shows that there is more to the DP than holding the light meter--he needs to understand so much more about using photography to tell a story, create a mood, evoke an emotion. No other text I know of stresses this to this extent." --Douglas C. Hart, First Camera Assistant, Instructor, and Author of The Camera Assistant "Cinematography is a skillfully written guide to the technical craft and artistry of cinematography for today's cinematographers and directors. It presents each aspect of cinematography in precise language to help all filmmakers better understand the complexities with which the cinematographer engages during every moment of every shot." -Michael Hofstein, Director of Photography "Blain Brown's book is a necessity for anyone who is starting out or still working in the media acquisition industry." -Don Lampasone, Producer/Editor/DP/VFX Artist (Austin, TX) "[Cinematography] is a comprehensive, muscular, and authoritative guide to what cinematography means: [it] refreshingly addresses the why's with greater emphasis than the how's. A tourist's phrasebook and fluent speaker's aide memoire of the language and practice of making films." -Phil South, Writer, Film and Creativity Coach (http://goingdownwriting.wordpress.com) "There's more to being a DP than holding a light meter! With this book as your guide, you are on your way to learning not only about the equipment and technology, but also about the concepts and thought processes that will enable you to shoot professionally, efficiently, and with artistic mastery. A leading book in the field, Cinematography has been translated into many languages and is a staple at the world's top. Lavishly produced and illustrated, it covers the entire range of the profession. The book is not just a comprehensive guide to current professional practice; it goes beyond to explain the theory behind the practice, so you understand how the rules came about and when it's appropriate to break them. In addition, directors will benefit from the focus on the body of knowledge they should share with their Director of Photography."--InternetVideoMagazinecom, "The main purpose of this book is to introduce cinematography/ filmmaking as we practice it on a professional level. It includes the basic introduction to the essential concept of visual storytelling and more. Cinema is a language and within it the specific vocabularies and sublanguages of the lens, composition, visual design, lighting, image control, continuity, movement, and point-of-view. Learning these languages and vocabularies is a never-ending and a fascinating life-long study." --NeoPopRealism Journal "A gorgeous piece of work that bids to become a classic text on cinematography....Few books on cinematography meld aesthetics and pragmatics as deftly as this one." --American Cinematographer "The gorgeous illustrations bring movies to life, and the modern approach that incorporates digital as well as film means that this book can be used for years to come." --Judy Irola, ASC. Head of Cinematography, USC School of Cinematic Arts "The book is a wonderful, well-organized and knowledgable collection of all information a cinematographer may need. I recommend it highly." --Andrew Laszlo, ASC "This book shows that there is more to the DP than holding the light meter--he needs to understand so much more about using photography to tell a story, create a mood, evoke an emotion. No other text I know of stresses this to this extent." --Douglas C. Hart, First Camera Assistant, Instructor, and Author of The Camera Assistant "Cinematography is a skillfully written guide to the technical craft and artistry of cinematography for today's cinematographers and directors. It presents each aspect of cinematography in precise language to help all filmmakers better understand the complexities with which the cinematographer engages during every moment of every shot." -Michael Hofstein, Director of Photography "Blain Brown's book is a necessity for anyone who is starting out or still working in the media acquisition industry." -Don Lampasone, Producer/Editor/DP/VFX Artist (Austin, TX) "[Cinematography] is a comprehensive, muscular, and authoritative guide to what cinematography means: [it] refreshingly addresses the why's with greater emphasis than the how's. A tourist's phrasebook and fluent speaker's aide memoire of the language and practice of making films." -Phil South, Writer, Film and Creativity Coach ( http://goingdownwriting.wordpress.com ) "There's more to being a DP than holding a light meter! With this book as your guide, you are on your way to learning not only about the equipment and technology, but also about the concepts and thought processes that will enable you to shoot professionally, efficiently, and with artistic mastery. A leading book in the field, Cinematography has been translated into many languages and is a staple at the world's top. Lavishly produced and illustrated, it covers the entire range of the profession. The book is not just a comprehensive guide to current professional practice; it goes beyond to explain the theory behind the practice, so you understand how the rules came about and when it's appropriate to break them. In addition, directors will benefit from the focus on the body of knowledge they should share with their Director of Photography." --InternetVideoMagazinecom, "A gorgeous piece of work that bids to become a classic text on cinematography....Few books on cinematography meld aesthetics and pragmatics as deftly as this one." American Cinematographer "The gorgeous illustrations bring movies to life, and the modern approach that incorporates digital as well as film means that this book can be used for years to come." Judy Irola, ASC. Head of Cinematography, USC School of Cinematic Arts "The book is a wonderful, well-organized and knowledgable collection of all information a cinematographer may need. I recommend it highly." Andrew Laszlo, ASC "This book shows that there is more to the DP than holding the light meter--he needs to understand so much more about using photography to tell a story, create a mood, evoke an emotion. No other text I know of stresses this to this extent." Douglas C. Hart, First Camera Assistant, Instructor, and Author of The Camera Assistant "Browns Cinematography sollte in der Bibliothek eines jeden bildgestaltenden Filmschaffenden stehen." Film & TV Kameramann
Table of Content
Introduction Writing with Motion Filmspace Visual Language Language of the Lens Visual Storytelling Cinematic Continuity Lighting Basics Lighting Sources HD Cinematography Exposure Camera Movement Color Image Control Optics & Focus Set Operations Technical Issues Film Formats Bibliography Index
Copyright Date
2012
Target Audience
College Audience
Topic
Film / General, Techniques / Cinematography & Videography
Lccn
2011-010755
Dewey Decimal
778.5
Dewey Edition
22
Illustrated
Yes
Genre
Photography, Performing Arts
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