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Feeling in Theory : Emotion after the Death of the Subject by Rei Terada (2003,
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Specificaties
- Objectstaat
- Heel goed
- Opmerkingen van verkoper
- “LN-. Very minor corner wear. Almost like new. Pages and binding are pristine.”
- Type
- Textbook
- Subject Area
- Literary Criticism, Philosophy
- Publication Name
- Feeling in Theory : Emotion after the Death of the Subject
- Country/Region of Manufacture
- United States
- Subject
- General, Semiotics & Theory
- ISBN
- 9780674011274
- Publisher
- Harvard University Press
- Item Length
- 0.9 in
- Publication Year
- 2003
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0 in
- Item Weight
- 12 Oz
- Item Width
- 0.6 in
- Number of Pages
- 222 Pages
Over dit product
Product Identifiers
Publisher
Harvard University Press
ISBN-10
0674011279
ISBN-13
9780674011274
eBay Product ID (ePID)
2478921
Product Key Features
Number of Pages
222 Pages
Publication Name
Feeling in Theory : Emotion after the Death of the Subject
Language
English
Publication Year
2003
Subject
General, Semiotics & Theory
Type
Textbook
Subject Area
Literary Criticism, Philosophy
Format
Trade Paperback
Dimensions
Item Height
0 in
Item Weight
12 Oz
Item Length
0.9 in
Item Width
0.6 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
21
Reviews
Feeling in Theory takes issue with the often-expressed view that postmodern culture in general, and post-structuralist theory in particular, is hostile to the idea--and even to the very existence--of emotion. Terada argues that what is at stake in these debates isn't really emotion per se, so much as it is the fate of the unified subject. An anxiety over postmodern notions of a foundering subjectivity is what actually underlies all these calls for a return to more conservative aesthetic positions. Emotion is invoked in polemics only because it is thought to be the ultimate guarantor of the subject's integrity; if there are feelings, the argument goes, then there must be a Self present to experience them. Terada shows, however, that this line of argument is deeply problematic, arguing startlingly but quite cogently that there is a fundamental contradiction between emotion or "experience" on the one hand, and the notion of a unified subjectivity on the other. It is not merely that emotion does not need to be grounded in a subject; but more strongly, that emotion requires the nonexistence of the subject, and that a subject as traditionally conceived could not possibly experience emotion. Terada therefore proposes to develop a post-structuralist theory of emotion., What starts from a shrewd review of contemporary polemics goes on to take the shape of a theory of emotion of Terada's own, drawn from her analytical reading of post-structuralist writing and of earlier and present-day philosophies of emotion. With Feeling in Theory Terada has produced something excellent and major, both a contribution to post-structuralist theory and its interpretation, and a placing of it in a wider surround.
Illustrated
Yes
Dewey Decimal
128/.37
Table Of Content
Acknowledgments Abbreviations and Textual Note Introduction: Emotion after the "Death of the Subject" PART 1:COGITO AND THE HISTORY OF THE PASSIONS 1. Philosophy of Emotion 2. Cogito and the History of the Passions 3. Feeling and Phenomena 4. Imaginary Seductions 5. Idea-Signs of Passion PART 2: PATHOS (ALLEGORIES OF EMOTION) 6. Emotion and Figure 7. Safety and the Sublime 8. The Allegory of Emotion 9. Inner Voices, Hostile Strangers: Moral and Social Feelings 10. Emotion Degree Zero PART 3: A PARALLEL PHILOSOPHY 11. Nobody's Passion: Emotion and the Philosophy of Music 12. Emotional Reference 13. Why You Can't Make a Subject That Feels Pain 14. From Affection to Affect 15. The Regime of Affect PART 4: PYSCHE,INC.:DERRIDEAN EMOTION AFTER DE MAN 16. Hardly Thinking 17. Psyche and Prosopopoeia 18. "The Theater of Petty Passions" L'me 19. Conclusion: Night of the Human Subject Notes References Index
Synopsis
Because emotion is assumed to depend on subjectivity, the "death of the subject" described in recent years by theorists such as Derrida, de Man, and Deleuze would also seem to mean the death of feeling. This revolutionary work transforms the burgeoning interdisciplinary debate on emotion by suggesting, instead, a positive relation between the "death of the subject" and the very existence of emotion. Reading the writings of Derrida and de Man--theorists often seen as emotionally contradictory and cold--Terada finds grounds for construing emotion as nonsubjective. This project offers fresh interpretations of deconstruction's most important texts, and of Continental and Anglo-American philosophers from Descartes to Deleuze and Dennett. At the same time, it revitalizes poststructuralist theory by deploying its methodologies in a new field, the philosophy of emotion, to reach a startling conclusion: if we really were subjects, we would have no emotions at all. Engaging debates in philosophy, literary criticism, psychology, and cognitive science from a poststructuralist and deconstructive perspective, Terada's work is essential for the renewal of critical thought in our day., This revolutionary work transforms the interdisciplinary debate on emotion by suggesting a positive relation between the "death of the subject" and the very existence of emotion. Reading the writings of Derrida and de Man, Terada finds grounds for construing emotion as nonsubjective.
LC Classification Number
B105.E46
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