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Cultures and Globalization: Cultural Expression, Creativity and Innovation
by Anheier, Helmut K.; Raj Isar,... | PB | VeryGood
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Specificaties
- Objectstaat
- Heel goed
- Opmerkingen van verkoper
- Binding
- Paperback
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- Yes
- ISBN
- 9781412920865
- Publication Name
- Cultures and Globalization : Cultural Expression, Creativity and Innovation
- Item Length
- 9.6in
- Publisher
- SAGE Publications, The Limited
- Publication Year
- 2010
- Series
- The Cultures and Globalization Ser.
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.8in
- Item Width
- 7.4in
- Item Weight
- 36.6 Oz
- Number of Pages
- 488 Pages
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Product Information
Volume 3 of the Cultures & Globalization series , Creativity and Innovations , explores the interactions between globalization and the forms of cultural expression that are their basic resource. Bringing together over 25 high-profile authors from around the world, this volume addresses such questions as: What impacts does globalization have on cultural creativity and innovation? How is the evolving world map of creativity related to the drivers and patterns of globalization? What are the relationships between creative acts, clusters, genres or institutions and cultural diversity?
Product Identifiers
Publisher
SAGE Publications, The Limited
ISBN-10
1412920868
ISBN-13
9781412920865
eBay Product ID (ePID)
78374839
Product Key Features
Publication Name
Cultures and Globalization : Cultural Expression, Creativity and Innovation
Format
Trade Paperback
Language
English
Publication Year
2010
Series
The Cultures and Globalization Ser.
Type
Textbook
Number of Pages
488 Pages
Dimensions
Item Length
9.6in
Item Height
0.8in
Item Width
7.4in
Item Weight
36.6 Oz
Additional Product Features
Lc Classification Number
Hm621
Reviews
'In the globalization 'game' there are no absolute winners and losers. Neither homogenisation nor diversity can capture its contradictory movement and character. The essays and papers collected here offer, from a variety of perspectives, a rich exploration of creativity and innovation, cultural expressions and globalization. This volume of essays, in all their diversity of contents and theoretical perspectives, demonstrates the rich value of this paradoxical, oxymoronic approach' - Stuart Hall, Emeritus Professor of Sociology at the Open University'It is common experience that we cannot enter another culture as fully as we do our own is patent. It is especially the case if the other culture is marked powerfully by satu bangsar, satu agama, satu bahasa: one race, one religion, one language. These three pillars define a reality that suffuses and binds the life and contacts of individual, community and nation. In this sense, everything is culture which, moreover, creates and sustains a unique, all-encompassing identity that simultaneously consolidates us, as distinguished from them. Consequently - as we know only too well - difference is the first, most durable perception generated by cross-cultural contact. Thus, the mathematics governing the complexities of such contact is not arithmetic, not algebra but calculus and beyond. Even when we agree, there is still considerable room for disagreement and misperception. The mapping is open-ended.Moreover, the study of issues cannot be called development. It is more in the nature of a change, a shift, because there is no certainty of linear progress characteristic of the hard sciences. A corollary to this is that no cultural idea or practice is permanently out-of-date.In these circumstances, the state of the discipline relies on empirical inputs from as many sources as possible, and approaches. Coverage is attentive to both theory as well as case studies, while remainingconstantly mindful of that vast terrain that lies between the two. It is here that Cultures and Globalization is unique, is indispensable. Each volume is comprehensive, especially in the way it creates space for different ways of addressing issues and sub-issues, of how it extends area studies to include new geographies and therefore morerepresentative of globalization. As contributors include practitioners,the insights are deeper and closer to the whole notion of creativity which is at the core of all cultures. This is an advantage that must not be overlooked. The three volumes "Conflicts and Tensions", "TheCultural Economy" and "Cultural Expression, Creativity and Innovation"have contributed much to redefine and extend the field. While each volume has its own unity, the editors have been able to plan succeeding volumes in the light of the impact their work has made. Volumes 4(2010) and 5 (2011), for instance, will be devoted to "Heritage, Memory, Identity" and "Civil Society and Cultural Policy" respectively. The series is larger than any journal, yet each annual volume possesses the same updated-ness with the additional advantage of a coherent theme which most journals lack. The whole enterprise provides a most exciting self-updating series of studies dealing with every aspect of cultures in an age of expanding globalization. As the series expands,it will consolidate its position as a primary (if not the primary) source which the researcher, the teacher and the student will find difficult to do without. Professors Anheier and Isar deserve our gratitude for designing and putting together this mansion of ideas, 'It is common experience that we cannot enter another culture as fully as we do our own is patent. It is especially the case if the other culture is marked powerfully by satu bangsar, satu agama, satu bahasa: one race, one religion, one language. These three pillars define a reality that suffuses and binds the life and contacts of individual, community and nation. In this sense, everything is culture which, moreover, creates and sustains a unique, all-encompassing identity that simultaneously consolidates us, as distinguished from them. Consequently - as we know only too well - difference is the first, most durable perception generated by cross-cultural contact. Thus, the mathematics governing the complexities of such contact is not arithmetic, not algebra but calculus and beyond. Even when we agree, there is still considerable room for disagreement and misperception. The mapping is open-ended.Moreover, the study of issues cannot be called development. It is more in the nature of a change, a shift, because there is no certainty of linear progress characteristic of the hard sciences. A corollary to this is that no cultural idea or practice is permanently out-of-date.In these circumstances, the state of the discipline relies on empirical inputs from as many sources as possible, and approaches. Coverage is attentive to both theory as well as case studies, while remainingconstantly mindful of that vast terrain that lies between the two. It is here that Cultures and Globalization is unique, is indispensable. Each volume is comprehensive, especially in the way it creates space for different ways of addressing issues and sub-issues, of how it extends area studies to include new geographies and therefore morerepresentative of globalization. As contributors include practitioners,the insights are deeper and closer to the whole notion of creativity which is at the core of all cultures. This is an advantage that must not be overlooked. The three volumes "Conflicts and Tensions", "TheCultural Economy" and "Cultural Expression, Creativity and Innovation"have contributed much to redefine and extend the field. While each volume has its own unity, the editors have been able to plan succeeding volumes in the light of the impact their work has made. Volumes 4(2010) and 5 (2011), for instance, will be devoted to "Heritage, Memory, Identity" and "Civil Society and Cultural Policy" respectively. The series is larger than any journal, yet each annual volume possesses the same updated-ness with the additional advantage of a coherent theme which most journals lack. The whole enterprise provides a most exciting self-updating series of studies dealing with every aspect of cultures in an age of expanding globalization. As the series expands,it will consolidate its position as a primary (if not the primary) source which the researcher, the teacher and the student will find difficult to do without. Professors Anheier and Isar deserve our gratitude for designing and putting together this mansion of ideas with its many levels and many doors and tremendous intellectual traffic that they and their contributors have generated' - Edwin Thumboo
Table of Content
Foreword by Stuart HallIntroduction - Yudhishthir Raj Isar and Helmut K AnheierPART ONE: ISSUES AND PATTERNS IN CULTURAL EXPRESSIONCreativity: Alternate Paradigms to the Creative Economy - Rustom Bharucha Recognition and Artistic Creativity - Joni Maya Cherbo and Harold L Vogel Walking with the Devil: Art, Culture and Internationalization - Gerardo Mosquera...But What Is the Question? Art, Research and the Production of Knowledge - Gilane TawadrosImprovizing in a World of Movement: Transit, Transition and Transformation - Maruska SvasekDiasporic Spaces: Migration, Hybridity and the Geocultural Turn - Keith NurseCreativity and Intellectual Property Rights - Jason Toynbee Exile, Culture and Identity - Rasoul NejadmehrThe Creativity of Evil? - Dragan KlaicThe Creator as Entrepreneur: An African Perspective - Paul BrickhillThe Turn of the Native: Vernacular Creativity in the Caribbean - Annie PaulCreative Contemporary Design in the Arab World - Huda Smitshuijzen AbiFarèsCultural Policing South Asia: An Anti-Globalization Backlash against Freedom of Expression? - Laurent Gayer, Christophe Jaffrelot and Malvika MaheshwariThe Struggle to Express, Create and Represent in the Balkans - Zala VolcicCreative Economy, Global City: Globalizing Discourses and the Implications for Local Arts - Lily Kong The Cycles of Creativity in the Music Industry - Peter TschmuckCreative Communities and Emerging Networks - Clayton CampbellCreative Spaces - Nancy Duxbury and Catherine MurrayLiterary Hybrids and the Circuits of Translation: the Example of Mia Couto - Stefan HelgessonEmergencies in Digital Culture - Ivani SantanaFashion and Ethics: Reinventing Models of Consumption and Creativity in a Global Industry - Mo Tomaney and Julie Thomas Creativity and Innovation: the Role of Philanthropy - Diana LeatDigital Networks and Social Innovation: Strategies of the Imagination - Eugenio TisselliChristopher WatermanClosing ReflectionsPART TWO: INDICATOR SUITESCultural Indicator Suites: An Introduction - Helmut K Anheier and Michael HoelscherCreativity Indexes - Enrico Bertacchini and Walter SantagataMeasuring Creativity and Innovation - Michael HoelscherPolicy Regulatory Frameworks Intellectual PropertyInvestment Education Philanthropy Research and DevelopmentDiversity Institutions Membership in Organizations Events Places: Indicators for six cities MigrationCreativity and Hybridity IndicesHybridity Languages The Blogosphere Eco Trends and Innovation Music New and Syncretic Religions Dance Hip Hop Reality TV Body Art Web 2.0Creativity, Innovation, Globalization: What International Experts Think - Helmut K Anheier and Michael Hoelscher
Copyright Date
2010
Topic
Globalization, General, Anthropology / Cultural & Social
Lccn
2009-925322
Intended Audience
College Audience
Illustrated
Yes
Genre
Art, Social Science, Political Science
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