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Tv Socialism
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eBay-objectnummer:144876279333
Specificaties
- Objectstaat
- Book Title
- Tv Socialism
- ISBN
- 9780822360858
- Subject Area
- Performing Arts, History
- Publication Name
- TV Socialism
- Publisher
- Duke University Press
- Item Length
- 9 in
- Subject
- Europe / Eastern, Television / History & Criticism, Television / General
- Publication Year
- 2016
- Series
- Console-Ing Passions Ser.
- Type
- Textbook
- Format
- Hardcover
- Language
- English
- Item Height
- 0.6 in
- Item Weight
- 20.8 Oz
- Item Width
- 6 in
- Number of Pages
- 328 Pages
Over dit product
Product Identifiers
Publisher
Duke University Press
ISBN-10
0822360853
ISBN-13
9780822360858
eBay Product ID (ePID)
215955123
Product Key Features
Number of Pages
328 Pages
Language
English
Publication Name
TV Socialism
Publication Year
2016
Subject
Europe / Eastern, Television / History & Criticism, Television / General
Type
Textbook
Subject Area
Performing Arts, History
Series
Console-Ing Passions Ser.
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
20.8 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2016-005266
Reviews
TV Socialism is a very fine and well written piece of research, definitely worth a read for everyone attracted by Eastern European popular culture. It offers a wonderful and always entertaining journey into the realm of socialist television, and by doing so, a journey into an audio-visual world of the past. It is a must read for anyone who is doing research in the field of television history, socialist history, not to forget those intrigued by insights into everyday socialist life., Anik Imre has written a field-transforming book, with implications that reach far beyond television studies., "Anik Imre has written a field-transforming book, with implications that reach far beyond television studies." , Cautioning us against simplistic uses of Anglo-American categories of television genres, Anikó Imre explains how the industry definitions of genre and audience expectations of genres evolved very differently in socialist societies. By defining genre as a 'transcultural form of expression' rather than as a given set of conventions, Imre demonstrates how the genric logic of television is embedded in the aesthetic, political, cultural, and ideological transformations in socialist and postsocialist societies., The main strength of TV Socialism lies in the analysis of programs themselves; it is here that Imre develops some of her most original and intriguing arguments, which will no doubt continue to shape debates on socialist television and its place in global television history for some time to come., A long overdue transnational inquiry of the multiple continuities of television and socialism in Central and Eastern Europe. . . . Imre masterfully delineates contemporary Eastern European anxieties about nationalism, economy, memory, and historiography since the fall of the Iron Curtain., Anikó Imre has written a field-transforming book, with implications that reach far beyond television studies., TV Socialism is a must read for any scholars of television history, historians of socialist everyday life, those interested in memory and students exploring socialist history. Imre provides invaluable insights and poses bold questions that will stimulate debates on socialist television for years to come., Cautioning us against simplistic uses of Anglo-American categories of television genres, Anik Imre explains how the industry definitions of genre and audience expectations of genres evolved very differently in socialist societies. By defining genre as a 'transcultural form of expression' rather than as a given set of conventions, Imre demonstrates how the genric logic of television is embedded in the aesthetic, political, cultural, and ideological transformations in socialist and postsocialist societies., ... [Imre] has composed an engaging and path-breaking study offering further insight into the multiplicity of phenomena long obscured behind the notion of totalitarianism., ... TV Socialism has as much to offer scholars of post-socialism as scholars of state socialism itself. Imre's insightful analyses of often-trivialized popular television genres offer novel perspectives on key themes in post-socialist media studies such as nostalgia and nationalism., TV Socialism is a comprehensive and highly original contribution to television studies, and it will become indispensable in socialist/postsocialist studies. Anikó Imre's scholarship is superior and her book is outstanding in its breadth and depth of coverage.
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.450947
Table Of Content
Acknowledgments vii Introduction. Why Do We Need to Talk about Socialism and TV? 1 Part I. Genres of Realism and Reality 1. From Socialist Realism to Emotional Realism 27 2. Tele-education 40 3. Crime Appeal 66 4. The Great Socialist Game (Show) 83 5. Postsocialist Ethno-Racial Reality TV 108 Part II. Genres of History 6. The Historical Adventure Drama 133 7. Postsocialist Nostalgia and European Historical Drama 155 8. Commercials as Time-Space Machines 173 Part III. Genres of Fiction 9. Women and TV 187 10. Socialist Soaps 199 Part IV. Genres of Humor 11. Socialist Comedy 227 12. (Post)socialist Political Satire 242 Afterword. Afterward 257 Notes 261 Bibliography 299 Index 311
Synopsis
In TV Socialism , Anikó Imre provides an innovative history of television in socialist Europe during and after the Cold War. Rather than uniform propaganda programming, Imre finds rich evidence of hybrid aesthetic and economic practices, including frequent exchanges within the region and with Western media, a steady production of varied genre entertainment, elements of European public service broadcasting, and transcultural, multi-lingual reception practices. These televisual practices challenge conventional understandings of culture under socialism, divisions between East and West, and the divide between socialism and postsocialism. Taking a broad regional perspective encompassing Eastern Europe and the Soviet Union, Imre foregrounds continuities between socialist television and the region's shared imperial histories, including the programming trends, distribution patterns, and reception practices that extended into postsocialism. Television, she argues, is key to understanding European socialist cultures and to making sense of developments after the end of the Cold War and the enduring global legacy of socialism., In TV Socialism , Anik Imre provides an innovative history of television in socialist Europe during and after the Cold War. Rather than uniform propaganda programming, Imre finds rich evidence of hybrid aesthetic and economic practices, including frequent exchanges within the region and with Western media, a steady production of varied genre entertainment, elements of European public service broadcasting, and transcultural, multi-lingual reception practices. These televisual practices challenge conventional understandings of culture under socialism, divisions between East and West, and the divide between socialism and postsocialism. Taking a broad regional perspective encompassing Eastern Europe and the Soviet Union, Imre foregrounds continuities between socialist television and the region's shared imperial histories, including the programming trends, distribution patterns, and reception practices that extended into postsocialism. Television, she argues, is key to understanding European socialist cultures and to making sense of developments after the end of the Cold War and the enduring global legacy of socialism.
LC Classification Number
PN1992.3.E8I47 2016
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