The New Oxford Book of Victorian Verse
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Goed
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Specificaties
- Objectstaat
- Goed
- Opmerkingen van verkoper
- Binding
- Hardcover
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- Yes
- ISBN
- 0192141546
- Book Title
- New Oxford Book of Victorian Verse
- Book Series
- Oxford Books of Verse Ser.
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 8.8 in
- Publication Year
- 1987
- Format
- Hardcover
- Language
- English
- Illustrator
- Yes
- Item Height
- 1.4 in
- Genre
- Poetry, Language Arts & Disciplines
- Topic
- Anthologies (Multiple Authors), American / General, Linguistics / General
- Item Weight
- 27.3 Oz
- Item Width
- 5.8 in
- Number of Pages
- 698 Pages
Over dit product
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0192141546
ISBN-13
9780192141545
eBay Product ID (ePID)
1963043
Product Key Features
Book Title
New Oxford Book of Victorian Verse
Number of Pages
698 Pages
Language
English
Topic
Anthologies (Multiple Authors), American / General, Linguistics / General
Publication Year
1987
Illustrator
Yes
Genre
Poetry, Language Arts & Disciplines
Book Series
Oxford Books of Verse Ser.
Format
Hardcover
Dimensions
Item Height
1.4 in
Item Weight
27.3 Oz
Item Length
8.8 in
Item Width
5.8 in
Additional Product Features
Intended Audience
Trade
LCCN
86-023701
Dewey Edition
19
TitleLeading
The
Dewey Decimal
821/.8/08
Synopsis
One of the great ages of poetry speaks for itself in this compendious anthology: the variety and power of Victorian verse, the innovation and creativity with which poets both reflected and resisted the attitudes of their era are keenly demonstrated. The New Oxford Book of Victorian Verse brings out in its introduction by Christopher Ricks, and brings home in its selections that the old pleasure of condescending to Victorian poetry is paltry in comparison with the ever-new pleasures of being delighted, moved, and touched by it. Ricks shows how misguided this narrow and pejorative view of Victorianism has been, affecting our conception of the kind of poetry appropriate to the age. By taking a simple definition of Victorian verse, as that written during the reign of Victoria, he demonstrates what a great variety of poetry and poets the period produced. Dramatic monologue, nonsense verse, light verse, nature poetry, and the "poetry of feeling," were all written at this time; and alongside such great figures as Browning, Tennyson, Swinburne and Hopkins, we also find the likes of Thomas Hardy, Emily Bronte, John Clare, Matthew Arnold, William Barnes, Oscar Wilde, and Edward Lear. An unprecedented feature of the anthology is the respect shown to the integrity of the 560 poems: poems are here printed in their entirety, excerpts being made only of those lines to which the poet gave a distinct autonomy. And four substantial masterpieces are reproduced in full: Lewis Carroll's The Hunting of the Snark, Edward Fitzgerald's Rubaiyat of Omar Khayyam, Christina G. Rossetti's Goblin Market, and Arthur Hugh Clough's superb verse-novel of love, society, and revolution, Amours de Voyage., One of the great ages of poetry speaks for itself in this compendious anthology: the variety and power of Victorian verse, the innovation and creativity with which poets both reflected and resisted the attitudes of their era are keenly demonstrated. The New Oxford Book of Victorian Verse brings out in its introduction by Christopher Ricks, and brings home in its selections that the old pleasure of condescending to Victorian poetry is paltry in comparison with the ever-new pleasures of being delighted, moved, and touched by it. Ricks shows how misguided this narrow and pejorative view of Victorianism has been, affecting our conception of the kind of poetry appropriate to the age. By taking a simple definition of Victorian verse, as that written during the reign of Victoria, he demonstrates what a great variety of poetry and poets the period produced. Dramatic monologue, nonsense verse, light verse, nature poetry, and the "poetry of feeling," were all written at this time; and alongside such great figures as Browning, Tennyson, Swinburne and Hopkins, we also find the likes of Thomas Hardy, Emily Bronte, John Clare, Matthew Arnold, William Barnes, Oscar Wilde, and Edward Lear. An unprecedented feature of the anthology is the respect shown to the integrity of the 560 poems: poems are here printed in their entirety, excerpts being made only of those lines to which the poet gave a distinct autonomy. And four substantial masterpieces are reproduced in full: Lewis Carroll's The Hunting of the Snark , Edward Fitzgerald's Rubaiyat of Omar Khayyam , Christina G. Rossetti's Goblin Market , and Arthur Hugh Clough's superb verse-novel of love, society, and revolution, Amours de Voyage ., In The New Oxford Book of Victorian Verse, Christopher Ricks has captured the variety and power of this era's poetry, revealing the innovation and creativity with which poets both reflected and resisted the attitudes of their time. By taking a simple definition of Victorian verse, as poetry written during the reign of Victoria, he demonstrates the great diversity of poetic form the age produced, including dramatic monologue, nonsense verse, light verse, nature poetry, and the "poetry of feeling." An unprecedented feature of the anthology is the respect shown to the integrity of the 560 poems: poems here are printed in their entirety, excerpts being made only of those lines to which the poet gave a distinct autonomy. And four substantial masterpieces are reproduced in full: Lewis Carroll's The Hunting of the Snark, Edward Fitzgerald's Rubaiyat of Omar Khayyam, Christina G. Rossetti's Goblin Market, and Arthur Hugh Clough's superb verse-novel of love, society, and revolution, Amours de Voyage.
LC Classification Number
PR1223.N48 1987
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