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Second Skin : Josephine Baker and Modern Surface, New Hardcover by Cheng, Ann...
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eBay-objectnummer:135006502205
Specificaties
- Objectstaat
- ISBN
- 9780199988167
- Book Title
- Second Skin : Josephine Baker and the Modern Surface
- Item Length
- 8.2in
- Publisher
- Oxford University Press, Incorporated
- Publication Year
- 2013
- Format
- Trade Paperback
- Language
- English
- Item Height
- 0.5in
- Genre
- Biography & Autobiography, Art, Philosophy
- Topic
- American / African American, Criticism & Theory, General, Entertainment & Performing Arts, History / General
- Item Width
- 5.5in
- Item Weight
- 14 Oz
- Number of Pages
- 256 Pages
Over dit product
Product Information
Through the figure of Josephine Baker, Second Skin tells the story of an unexpected yet enduring intimacy between the invention of a modernist style and the theatricalization of black skin at the turn of the twentieth century. Stepping outside of the platitudes surrounding this iconic figure, Anne A. Cheng argues that Baker's famous nakedness must be understood within larger philosophic and aesthetic debates about, and desire for, 'pure surface' thatcrystallized at the convergence of modern art, architecture, machinery, and philosophy. Through Cheng's analysis, Baker emerges as a central artist whose work engages with and impacts various modes of modernistdisplay such as film, photography, art, and even the modern house.
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0199988161
ISBN-13
9780199988167
eBay Product ID (ePID)
143527431
Product Key Features
Book Title
Second Skin : Josephine Baker and the Modern Surface
Format
Trade Paperback
Language
English
Topic
American / African American, Criticism & Theory, General, Entertainment & Performing Arts, History / General
Publication Year
2013
Genre
Biography & Autobiography, Art, Philosophy
Number of Pages
256 Pages
Dimensions
Item Length
8.2in
Item Height
0.5in
Item Width
5.5in
Item Weight
14 Oz
Additional Product Features
Lc Classification Number
Nx4565.M64c49 2013
Reviews
"A playful, insanely ambitious text that seeks to rethink standard assumptions about Modernism, race and Josephine Baker in less than 200 pages . . . The book performs the admirable service of making Josephine Baker, the world she inhabited, and the skin that inhabited her seem stranger and more complex than they did before."--cinespect.com "Opening up an entirely original line of inquiry that connects the architectural surfaces of Adolf Loos and Le Corbusier to the shimmering allure of Josephine Baker's skin, this far-reaching study gives us a unique model of cross-cultural modernity in which psychoanalysis has a major role to play. With wit, verve, and precision, Anne Cheng's insights ensure that our understanding of early Modernism will never be the same and that our notions of phantasy and identification in art, film, and performance will be radically transformed."--Kobena Mercer, author ofWelcome to the Jungle "Anne Cheng'sSecond Skinoffers an innovative, surprising, deeply transdisciplinary archaeology of aesthetic Modernism's relationship to race and its performances. Le Corbusier, Adolf Loos, Picasso, Paul Val rie, and Freud's psychoanalysis become partners in the is dizzying theoretical and historical analysis, where Cheng reveals how buildings, fashion, photographs, paintings, and dances express as well as construct our shared legacy of racial formations."--Andr Lepecki, author ofExhausting Dance "In a bravura meditation on the surfaces at the core of Modernism--skin, costume, canvas screen, ornament, pattern--Anne Anlin Cheng tracks the vicissitudes of visual pleasure in the encounter between Europe and its others.La Bakerwas not simply a lightning rod for exotic stereotypes, Cheng suggests, but instead a 'dynamic fulcrum' whose performances captivated because they staged the crosscurrents that define Modernist style, its dangerous intimacies between primitive and civilized, animal and machine, organic and plastic."--Brent Hayes Edwards, author ofThe Practice of Diaspora "This brilliant, provocative, eye-opening work provides a powerful account of racial fetishism and its centrality to the development of Modernist style, thus forwarding a stunning new theory of Modernism in its entirety."--Sianne Ngai, author ofUgly Feelings, "A playful, insanely ambitious text that seeks to rethink standard assumptions about Modernism, race and Josephine Baker in less than 200 pages . . . The book performs the admirable service of making Josephine Baker, the world she inhabited, and the skin that inhabited her seem stranger and more complex than they did before."--cinespect.com"Opening up an entirely original line of inquiry that connects the architectural surfaces of Adolf Loos and Le Corbusier to the shimmering allure of Josephine Baker's skin, this far-reaching study gives us a unique model of cross-cultural modernity in which psychoanalysis has a major role to play. With wit, verve, and precision, Anne Cheng's insights ensure that our understanding of early Modernism will never be the same and that our notions of phantasy andidentification in art, film, and performance will be radically transformed."--Kobena Mercer, author of Welcome to the Jungle"Anne Cheng's Second Skin offers an innovative, surprising, deeply transdisciplinary archaeology of aesthetic Modernism's relationship to race and its performances. Le Corbusier, Adolf Loos, Picasso, Paul Val rie, and Freud's psychoanalysis become partners in the is dizzying theoretical and historical analysis, where Cheng reveals how buildings, fashion, photographs, paintings, and dances express as well as construct our shared legacy of racialformations."--André Lepecki, author of Exhausting Dance: Performance and the Politics of Movement"In a bravura meditation on the surfaces at the core of Modernism--skin, costume, canvas screen, ornament, pattern--Anne Anlin Cheng tracks the vicissitudes of visual pleasure in the encounter between Europe and its others. La Baker was not simply a lightning rod for exotic stereotypes, Cheng suggests, but instead a 'dynamic fulcrum' whose performances captivated because they staged the crosscurrents that define Modernist style, its dangerousintimacies between primitive and civilized, animal and machine, organic and plastic."--Brent Hayes Edwards, author of The Practice of Diaspora"This brilliant, provocative, eye-opening work provides a powerful account of racial fetishism and its centrality to the development of Modernist style, thus forwarding a stunning new theory of Modernism in its entirety."--Sianne Ngai, author of Ugly Feelings"Anne Cheng's brilliant new book, Second Skin: Josephine Baker and the Modern Surface, asks to be undressed. . . . [I]f one can't get inside Baker, one can move all around her, and critical movement -- the electric motion of the critic's mind -- will be a hallmark of Second Skin: we're presented with a generative and moving array of texts, from fashion to film to art to architecture to performance. The surfaces emerge in a vast and associativeweb, connecting the bars and stripes of prison uniforms, bathing suits, architectural exteriors, and bar-room floors, for example, and reach across disciplinary boundaries, as Cheng works to complicate an aestheticsbuilt atop the black female body."--Modern Drama, "A playful, insanely ambitious text that seeks to rethink standard assumptions about Modernism, race and Josephine Baker in less than 200 pages . . . The book performs the admirable service of making Josephine Baker, the world she inhabited, and the skin that inhabited her seem stranger and more complex than they did before."--cinespect.com "Opening up an entirely original line of inquiry that connects the architectural surfaces of Adolf Loos and Le Corbusier to the shimmering allure of Josephine Baker's skin, this far-reaching study gives us a unique model of cross-cultural modernity in which psychoanalysis has a major role to play. With wit, verve, and precision, Anne Cheng's insights ensure that our understanding of early Modernism will never be the same and that our notions of phantasy and identification in art, film, and performance will be radically transformed."--Kobena Mercer, author of Welcome to the Jungle "Anne Cheng's Second Skin offers an innovative, surprising, deeply transdisciplinary archaeology of aesthetic Modernism's relationship to race and its performances. Le Corbusier, Adolf Loos, Picasso, Paul Val rie, and Freud's psychoanalysis become partners in the is dizzying theoretical and historical analysis, where Cheng reveals how buildings, fashion, photographs, paintings, and dances express as well as construct our shared legacy of racial formations."--AndrLepecki, author of Exhausting Dance: Performance and the Politics of Movement "In a bravura meditation on the surfaces at the core of Modernism--skin, costume, canvas screen, ornament, pattern--Anne Anlin Cheng tracks the vicissitudes of visual pleasure in the encounter between Europe and its others. La Baker was not simply a lightning rod for exotic stereotypes, Cheng suggests, but instead a 'dynamic fulcrum' whose performances captivated because they staged the crosscurrents that define Modernist style, its dangerous intimacies between primitive and civilized, animal and machine, organic and plastic."--Brent Hayes Edwards, author of The Practice of Diaspora "This brilliant, provocative, eye-opening work provides a powerful account of racial fetishism and its centrality to the development of Modernist style, thus forwarding a stunning new theory of Modernism in its entirety."--Sianne Ngai, author of Ugly Feelings, "A playful, insanely ambitious text that seeks to rethink standard assumptions about Modernism, race and Josephine Baker in less than 200 pages . . . The book performs the admirable service of making Josephine Baker, the world she inhabited, and the skin that inhabited her seem stranger and more complex than they did before."--cinespect.com"Opening up an entirely original line of inquiry that connects the architectural surfaces of Adolf Loos and Le Corbusier to the shimmering allure of Josephine Baker's skin, this far-reaching study gives us a unique model of cross-cultural modernity in which psychoanalysis has a major role to play. With wit, verve, and precision, Anne Cheng's insights ensure that our understanding of early Modernism will never be the same and that our notions of phantasy and identification in art, film, and performance will be radically transformed."--Kobena Mercer, author of Welcome to the Jungle"Anne Cheng's Second Skin offers an innovative, surprising, deeply transdisciplinary archaeology of aesthetic Modernism's relationship to race and its performances. Le Corbusier, Adolf Loos, Picasso, Paul Val rie, and Freud's psychoanalysis become partners in the is dizzying theoretical and historical analysis, where Cheng reveals how buildings, fashion, photographs, paintings, and dances express as well as construct our shared legacy of racial formations."--André Lepecki, author of Exhausting Dance: Performance and the Politics of Movement"In a bravura meditation on the surfaces at the core of Modernism--skin, costume, canvas screen, ornament, pattern--Anne Anlin Cheng tracks the vicissitudes of visual pleasure in the encounter between Europe and its others. La Baker was not simply a lightning rod for exotic stereotypes, Cheng suggests, but instead a 'dynamic fulcrum' whose performances captivated because they staged the crosscurrents that define Modernist style, its dangerous intimacies between primitive and civilized, animal and machine, organic and plastic."--Brent Hayes Edwards, author of The Practice of Diaspora"This brilliant, provocative, eye-opening work provides a powerful account of racial fetishism and its centrality to the development of Modernist style, thus forwarding a stunning new theory of Modernism in its entirety."--Sianne Ngai, author of Ugly Feelings, "A playful, insanely ambitious text that seeks to rethink standard assumptions about Modernism, race and Josephine Baker in less than 200 pages . . . The book performs the admirable service of making Josephine Baker, the world she inhabited, and the skin that inhabited her seem stranger and more complex than they did before."--cinespect.com "Opening up an entirely original line of inquiry that connects the architectural surfaces of Adolf Loos and Le Corbusier to the shimmering allure of Josephine Baker's skin, this far-reaching study gives us a unique model of cross-cultural modernity in which psychoanalysis has a major role to play. With wit, verve, and precision, Anne Cheng's insights ensure that our understanding of early Modernism will never be the same and that our notions of phantasy and identification in art, film, and performance will be radically transformed."--Kobena Mercer, author of Welcome to the Jungle "Anne Cheng's Second Skin offers an innovative, surprising, deeply transdisciplinary archaeology of aesthetic Modernism's relationship to race and its performances. Le Corbusier, Adolf Loos, Picasso, Paul Val rie, and Freud's psychoanalysis become partners in the is dizzying theoretical and historical analysis, where Cheng reveals how buildings, fashion, photographs, paintings, and dances express as well as construct our shared legacy of racial formations."--André Lepecki, author of Exhausting Dance: Performance and the Politics of Movement "In a bravura meditation on the surfaces at the core of Modernism--skin, costume, canvas screen, ornament, pattern--Anne Anlin Cheng tracks the vicissitudes of visual pleasure in the encounter between Europe and its others. La Baker was not simply a lightning rod for exotic stereotypes, Cheng suggests, but instead a 'dynamic fulcrum' whose performances captivated because they staged the crosscurrents that define Modernist style, its dangerous intimacies between primitive and civilized, animal and machine, organic and plastic."--Brent Hayes Edwards, author of The Practice of Diaspora "This brilliant, provocative, eye-opening work provides a powerful account of racial fetishism and its centrality to the development of Modernist style, thus forwarding a stunning new theory of Modernism in its entirety."--Sianne Ngai, author of Ugly Feelings, "A playful, insanely ambitious text that seeks to rethink standard assumptions about Modernism, race and Josephine Baker in less than 200 pages . . . The book performs the admirable service of making Josephine Baker, the world she inhabited, and the skin that inhabited her seem stranger and more complex than they did before."--cinespect.com "Opening up an entirely original line of inquiry that connects the architectural surfaces of Adolf Loos and Le Corbusier to the shimmering allure of Josephine Baker's skin, this far-reaching study gives us a unique model of cross-cultural modernity in which psychoanalysis has a major role to play. With wit, verve, and precision, Anne Cheng's insights ensure that our understanding of early Modernism will never be the same and that our notions of phantasy and identification in art, film, and performance will be radically transformed."--Kobena Mercer, author of Welcome to the Jungle "Anne Cheng's Second Skin offers an innovative, surprising, deeply transdisciplinary archaeology of aesthetic Modernism's relationship to race and its performances. Le Corbusier, Adolf Loos, Picasso, Paul Val rie, and Freud's psychoanalysis become partners in the is dizzying theoretical and historical analysis, where Cheng reveals how buildings, fashion, photographs, paintings, and dances express as well as construct our shared legacy of racial formations."--Andr Lepecki, author of Exhausting Dance: Performance and the Politics of Movement "In a bravura meditation on the surfaces at the core of Modernism--skin, costume, canvas screen, ornament, pattern--Anne Anlin Cheng tracks the vicissitudes of visual pleasure in the encounter between Europe and its others. La Baker was not simply a lightning rod for exotic stereotypes, Cheng suggests, but instead a 'dynamic fulcrum' whose performances captivated because they staged the crosscurrents that define Modernist style, its dangerous intimacies between primitive and civilized, animal and machine, organic and plastic."--Brent Hayes Edwards, author of The Practice of Diaspora "This brilliant, provocative, eye-opening work provides a powerful account of racial fetishism and its centrality to the development of Modernist style, thus forwarding a stunning new theory of Modernism in its entirety."--Sianne Ngai, author of Ugly Feelings, "A playful, insanely ambitious text that seeks to rethink standard assumptions about Modernism, race and Josephine Baker in less than 200 pages . . . The book performs the admirable service of making Josephine Baker, the world she inhabited, and the skin that inhabited her seem stranger and more complex than they did before."--cinespect.com"Opening up an entirely original line of inquiry that connects the architectural surfaces of Adolf Loos and Le Corbusier to the shimmering allure of Josephine Baker's skin, this far-reaching study gives us a unique model of cross-cultural modernity in which psychoanalysis has a major role to play. With wit, verve, and precision, Anne Cheng's insights ensure that our understanding of early Modernism will never be the same and that our notions of phantasy and identification in art, film, and performance will be radically transformed."--Kobena Mercer, author of Welcome to the Jungle"Anne Cheng's Second Skin offers an innovative, surprising, deeply transdisciplinary archaeology of aesthetic Modernism's relationship to race and its performances. Le Corbusier, Adolf Loos, Picasso, Paul Val rie, and Freud's psychoanalysis become partners in the is dizzying theoretical and historical analysis, where Cheng reveals how buildings, fashion, photographs, paintings, and dances express as well as construct our shared legacy of racial formations."--Andr´e Lepecki, author of Exhausting Dance: Performance and the Politics of Movement"In a bravura meditation on the surfaces at the core of Modernism--skin, costume, canvas screen, ornament, pattern--Anne Anlin Cheng tracks the vicissitudes of visual pleasure in the encounter between Europe and its others. La Baker was not simply a lightning rod for exotic stereotypes, Cheng suggests, but instead a 'dynamic fulcrum' whose performances captivated because they staged the crosscurrents that define Modernist style, its dangerous intimacies between primitive and civilized, animal and machine, organic and plastic."--Brent Hayes Edwards, author of The Practice of Diaspora"This brilliant, provocative, eye-opening work provides a powerful account of racial fetishism and its centrality to the development of Modernist style, thus forwarding a stunning new theory of Modernism in its entirety."--Sianne Ngai, author of Ugly Feelings, "A playful, insanely ambitious text that seeks to rethink standard assumptions about Modernism, race and Josephine Baker in less than 200 pages . . . The book performs the admirable service of making Josephine Baker, the world she inhabited, and the skin that inhabited her seem stranger and more complex than they did before."--cinespect.com"Opening up an entirely original line of inquiry that connects the architectural surfaces of Adolf Loos and Le Corbusier to the shimmering allure of Josephine Baker's skin, this far-reaching study gives us a unique model of cross-cultural modernity in which psychoanalysis has a major role to play. With wit, verve, and precision, Anne Cheng's insights ensure that our understanding of early Modernism will never be the same and that our notions of phantasy and identification in art, film, and performance will be radically transformed."--Kobena Mercer, author of Welcome to the Jungle"Anne Cheng's Second Skin offers an innovative, surprising, deeply transdisciplinary archaeology of aesthetic Modernism's relationship to race and its performances. Le Corbusier, Adolf Loos, Picasso, Paul Val rie, and Freud's psychoanalysis become partners in the is dizzying theoretical and historical analysis, where Cheng reveals how buildings, fashion, photographs, paintings, and dances express as well as construct our shared legacy of racial formations."--Andr'e Lepecki, author of Exhausting Dance: Performance and the Politics of Movement"In a bravura meditation on the surfaces at the core of Modernism--skin, costume, canvas screen, ornament, pattern--Anne Anlin Cheng tracks the vicissitudes of visual pleasure in the encounter between Europe and its others. La Baker was not simply a lightning rod for exotic stereotypes, Cheng suggests, but instead a 'dynamic fulcrum' whose performances captivated because they staged the crosscurrents that define Modernist style, its dangerous intimacies between primitive and civilized, animal and machine, organic and plastic."--Brent Hayes Edwards, author of The Practice of Diaspora"This brilliant, provocative, eye-opening work provides a powerful account of racial fetishism and its centrality to the development of Modernist style, thus forwarding a stunning new theory of Modernism in its entirety."--Sianne Ngai, author of Ugly Feelings
Table of Content
Her Own SkinIn the MuseumSkins, Tattoos, and the Lure of the SurfaceWhat Bananas SayHousing Baker, Dressing LoosRadiant Bodies, Dark CitiesThe Woman with the Golden SkinAll That Glitters Is Not Gold (or, Dirty Professors)Ethical LookingBack to the MuseumAcknowledgementsList of IllustrationsNotesWorks Cited
Copyright Date
2013
Dewey Decimal
700/.4112
Intended Audience
Trade
Dewey Edition
22
Illustrated
Yes
Objectbeschrijving van de verkoper
De verkoper neemt de volledige verantwoordelijkheid voor deze aanbieding.
eBay-objectnummer:135006502205
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New York, New York, Verenigde Staten
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Barbados, Frans-Guyana, Frans-Polynesië, Guadeloupe, Libië, Martinique, Nieuw-Caledonië, Oekraïne, Russische Federatie, Réunion, Venezuela
| Verzending en verwerking | Tot | Service | Levering*Zie opmerkingen over levering |
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Dus de consumentenrechten die voortvloeien uit EU-wetgeving voor consumentenbescherming zijn niet van toepassing. eBay-kopersbescherming geldt nog steeds voor de meeste aankopen.
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