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Hard Bop by David H. Rosenthal Hardcover with DJ, 1st Ed Oxford 1992 Like New
Objectstaat:
“Book is as new, however, there is writing on last page before back cover - please see photos”
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- Nu kopenHard Bop by David H. Rosenthal Hardcover with DJ, 1st Ed Oxford 1992 Like New
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Bevindt zich in: Madison, Wisconsin, Verenigde Staten
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eBay-objectnummer:125249440575
Specificaties
- Objectstaat
- Vrijwel nieuw
- Opmerkingen van verkoper
- “Book is as new, however, there is writing on last page before back cover - please see photos”
- Binding
- Hardcover
- Subject
- Hard Bop Jazz Music
- Special Attributes
- 1st Edition
- ISBN
- 9780195058697
- Book Title
- Hard Bop : Jazz and Black Music 1955-1965
- Publisher
- Oxford University Press, Incorporated
- Item Length
- 8.6 in
- Publication Year
- 1992
- Format
- Hardcover
- Language
- English
- Item Height
- 0.9 in
- Genre
- Music, Science
- Topic
- Life Sciences / Botany, Ethnic, Genres & Styles / Jazz
- Item Weight
- 15.3 Oz
- Item Width
- 5.8 in
- Number of Pages
- 224 Pages
Over dit product
Product Identifiers
Publisher
Oxford University Press, Incorporated
ISBN-10
0195058690
ISBN-13
9780195058697
eBay Product ID (ePID)
1345728
Product Key Features
Book Title
Hard Bop : Jazz and Black Music 1955-1965
Number of Pages
224 Pages
Language
English
Publication Year
1992
Topic
Life Sciences / Botany, Ethnic, Genres & Styles / Jazz
Genre
Music, Science
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
15.3 Oz
Item Length
8.6 in
Item Width
5.8 in
Additional Product Features
Intended Audience
Trade
LCCN
91-015669
Dewey Edition
20
Dewey Decimal
781.655
Synopsis
It's nineteen fifty-something, in a dark, cramped, smoke-filled room. Everyone's wearing black. And on-stage a tenor is blowing his heart out, a searching, jagged saxophone journey played out against a moody, walking bass and the swish of a drummer's brushes. To a great many listeners--from African American aficionados of the period to a whole new group of fans today--this is the very embodiment of jazz. It is also quintessential hard bop. In this, the first thorough study of the subject, jazz expert and enthusiast David H. Rosenthal vividly examines the roots, traditions, explorations and permutations, personalities and recordings of a climactic period in jazz history. Beginning with hard bop's origins as an amalgam of bebop and R&B, Rosenthal narrates the growth of a movement that embraced the heavy beat and bluesy phrasing of such popular artists as Horace Silver and Cannonball Adderley; the stark, astringent, tormented music of saxophonists Jackie McLean and Tina Brooks; the gentler, more lyrical contributions of trumpeter Art Farmer, pianists Hank Jones and Tommy Flanagan, composers Benny Golson and Gigi Gryce; and such consciously experimental and truly one-of-a-kind players and composers as Andrew Hill, Sonny Rollins, John Coltrane, Thelonious Monk, and Charles Mingus. Hard bop welcomed all influences--whether Gospel, the blues, Latin rhythms, or Debussy and Ravel--into its astonishingly creative, hard-swinging orbit. Although its emphasis on expression and downright "badness" over technical virtuosity was unappreciated by critics, hard bop was the music of black neighborhoods and the last jazz movement to attract the most talented young black musicians. Fortunately, records were there to catch it all. The years between 1955 and 1965 are unrivaled in jazz history for the number of milestones on vinyl. Miles Davis's Kind of Blue , Charles Mingus's Mingus Ah Um , Thelonious Monk's Brilliant Corners , Horace Silver's Further Explorations --Rosenthal gives a perceptive cut-by-cut analysis of these and other jazz masterpieces, supplying an essential discography as well. For knowledgeable jazz-lovers and novices alike, Hard Bop is a lively, multi-dimensional, much-needed examination of the artists, the milieus, and above all the sounds of one of America's great musical epochs., It's nineteen fifty-something, in a dark, cramped, smoke-filled room. Everyone's wearing black. And on-stage a tenor is blowing his heart out, a searching, jagged saxophone journey played out against a moody, walking bass and the swish of a drummer's brushes. To a great many listeners--from African American aficionados of the period to a whole new group of fans today--this is the very embodiment of jazz. It is also quintessential hard bop. In this, the first thorough study of the subject, jazz expert and enthusiast David H. Rosenthal vividly examines the roots, traditions, explorations and permutations, personalities and recordings of a climactic period in jazz history. Beginning with hard bop's origins as an amalgam of bebop and R&B, Rosenthal narrates the growth of a movement that embraced the heavy beat and bluesy phrasing of such popular artists as Horace Silver and Cannonball Adderley; the stark, astringent, tormented music of saxophonists Jackie McLean and Tina Brooks; the gentler, more lyrical contributions of trumpeter Art Farmer, pianists Hank Jones and Tommy Flanagan, composers Benny Golson and Gigi Gryce; and such consciously experimental and truly one-of-a-kind players and composers as Andrew Hill, Sonny Rollins, John Coltrane, Thelonious Monk, and Charles Mingus. Hard bop welcomed all influences--whether Gospel, the blues, Latin rhythms, or Debussy and Ravel--into its astonishingly creative, hard-swinging orbit. Although its emphasis on expression and downright "badness" over technical virtuosity was unappreciated by critics, hard bop was the music of black neighborhoods and the last jazz movement to attract the most talented young black musicians. Fortunately, records were there to catch it all. The years between 1955 and 1965 are unrivaled in jazz history for the number of milestones on vinyl. Miles Davis's Kind of Blue, Charles Mingus's Mingus Ah Um, Thelonious Monk's Brilliant Corners, Horace Silver's Further Explorations--Rosenthal gives a perceptive cut-by-cut analysis of these and other jazz masterpieces, supplying an essential discography as well. For knowledgeable jazz-lovers and novices alike, Hard Bop is a lively, multi-dimensional, much-needed examination of the artists, the milieus, and above all the sounds of one of America's great musical epochs.
LC Classification Number
ML3508.R68 1992
Copyright Date
1992
ebay_catalog_id
4
Objectbeschrijving van de verkoper
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