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Ernest Bloch Studies: Cambridge Composer Studies, , Very Good condition, Book

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Specificaties

Objectstaat
Heel goed: Een boek dat er niet als nieuw uitziet en is gelezen, maar zich in uitstekende staat ...
Book Title
Ernest Bloch Studies: Cambridge Composer Studies
ISBN
9781107039094
Subject Area
Music
Publication Name
Ernest Bloch Studies
Publisher
Cambridge University Press
Item Length
10 in
Subject
History & Criticism, General
Publication Year
2017
Series
Cambridge Composer Studies
Type
Textbook
Format
Hardcover
Language
English
Item Height
0.8 in
Author
Norman Solomon
Item Weight
27.5 Oz
Item Width
7.1 in
Number of Pages
310 Pages

Over dit product

Product Identifiers

Publisher
Cambridge University Press
ISBN-10
1107039096
ISBN-13
9781107039094
eBay Product ID (ePID)
219695092

Product Key Features

Number of Pages
310 Pages
Language
English
Publication Name
Ernest Bloch Studies
Publication Year
2017
Subject
History & Criticism, General
Type
Textbook
Author
Norman Solomon
Subject Area
Music
Series
Cambridge Composer Studies
Format
Hardcover

Dimensions

Item Height
0.8 in
Item Weight
27.5 Oz
Item Length
10 in
Item Width
7.1 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2016-001613
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
780.92
Table Of Content
Foreword: reminiscences of my grandfather Ernest Bloch, II; Chronology; Alphabetical list of Bloch's published and unpublished works Alexander Knapp; Bloch resources: recordings in the age of the Internet Stanley Henig; Introduction Norman Solomon; 1. From Geneva to New York: radical changes in Ernest Bloch's view of himself as a 'Jewish composer' during his twenties and thirties Alexander Knapp; 2. The 'suffering and greatness' of Ernest Bloch: concepts of the composer as genius Klára Móricz; 3. Bloch, Wagner and creativity: refutation and vindication Malcolm Miller; 4. Sacred service: the mass Bloch never wrote, the two that Leonard Bernstein did write, and Shulamit Ran's Credo/Ani Ma'Amin David Schiller; 5. Oregon years: the man and his music David Z. Kushner; 6. 'The future alone will be the judge': Ernest Bloch's epic journeys between Utopia and Dystopia Philip V. Bohlman; 7. The reception of Bloch's music in Palestine/Israel to 1948 Jehoash Hirshberg; 8. Bloch's reception and his standing in Israel since 1954 Zecharia Plavin; 9. A performance history of Bloch's opera Macbeth: Paris 1910-Manhattan 2014 Stanley Henig; 10. King Solomon and the Baal Shem Tov: traditional elements in Bloch's musical representation of two iconic personalities from Jewish history Alexander Knapp; 11. Postscript: the legacy Norman Solomon.
Synopsis
Drawing on firsthand recollections of those who knew and worked with the composer, this collection is the most comprehensive study to date of Bloch's life, musical achievement and reception. Contributors present the latest research on Bloch's works and compositional practice, setting his output in its historical and cultural contexts., Ernest Bloch left his native Switzerland to settle in the United States in 1916. One of the great twentieth-century composers, he was influenced by a range of genres and styles - Jewish, American and Swiss - and his works reflect his lifelong struggle with his identity. Drawing on firsthand recollections of relatives and others who knew and worked with the composer, this collection is the most comprehensive study to date of Bloch's life, musical achievement and reception. Contributors present the latest research on Bloch's works and compositional practice, including studies of his Avodath Hakodesh (Sacred Service), violin pieces such as Nigun, the symphonic Schelomo, and the opera Macbeth. Setting the quality and significance of Bloch's output in its historical and cultural contexts, this book provides scholarly analyses as well as a full chronology, list of online resources, catalogue of published and unpublished works, and selected further reading.
LC Classification Number
ML410.B656E84 2015

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