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Action/Abstraction: Pollock, de Kooning, and American Art, 1940-1976: Used

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Objectstaat:
Goed
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Specificaties

Objectstaat
Goed: Een boek dat is gelezen, maar zich in goede staat bevindt. De kaft is zeer minimaal beschadigd ...
Publication Date
2009-08-04
Pages
344
ISBN
9780300139204

Over dit product

Product Identifiers

Publisher
Yale University Press
ISBN-10
0300139209
ISBN-13
9780300139204
eBay Product ID (ePID)
73384237

Product Key Features

Book Title
Action/Abstraction : Pollock, De Kooning, and American Art, 1940-1976
Number of Pages
344 Pages
Language
English
Publication Year
2009
Topic
History / Contemporary (1945-), Criticism & Theory, Collections, Catalogs, Exhibitions / General, American / General
Illustrator
Yes
Genre
Art
Author
Debra Bricker Balken
Format
Trade Paperback

Dimensions

Item Height
0.1 in
Item Weight
72.9 Oz
Item Length
1.2 in
Item Width
1 in

Additional Product Features

Intended Audience
Trade
LCCN
2007-046613
Reviews
Winner of the 2010 National Jewish Book Award in the Visual Arts Category sponsored by the Jewish Book Council
Dewey Edition
22
Dewey Decimal
709.73/0747471
Synopsis
The abstract paintings of Jackson Pollock, Willem de Kooning, Barnett Newman, Lee Krasner, Clyfford Still, Helen Frankenthaler, and others revolutionized the art world in the 1940s and 1950s and continue to inspire passionate arguments to this day. What were these artists trying to achieve? Who were the critical voices of the time that rallied public interest in Abstract Expressionism and sparked rancorous debate? Drawing on recent critical, historical, and biographical work, this lavishly illustrated book offers a sharp new focus on a pivotal art movement. It also presents an extensive commentary on the two most influential critics of postwar American art-Clement Greenberg and Harold Rosenberg-whose powerful views shaped perceptions of Abstract Expressionism and other contemporary art movements. In one essay, Norman L. Kleeblatt traces the influence of Abstract Expressionism into the mid-1970s and examines its connection to subsequent art styles. Other essays range from the literary and intellectual culture of New York during that period and an analysis of sculpture and representation to a discussion of Jewish issues in relation to postwar American Art. In addition, the book features a magisterial essay by eminent critic Irving Sandler and a copiously illustrated cultural timeline by Maurice Berger. Published in association with The Jewish Museum, New York Exhibition Schedule: The Jewish Museum, New York (May 4, 2008 - September 21, 2008) Saint Louis Art Museum (October 19, 2008 - January 11, 2009) The Albright-Knox Art Gallery, Buffalo (February 13 - May 31, 2009), The abstract paintings of Jackson Pollock, Willem de Kooning, Barnett Newman, Lee Krasner, Clyfford Still, Helen Frankenthaler, and others revolutionized the art world in the 1940s and 1950s and continue to inspire passionate arguments to this day. What were these artists trying to achieve? Who were the critical voices of the time that rallied public interest in Abstract Expressionism and sparked rancorous debate? Drawing on recent critical, historical, and biographical work, this lavishly illustrated book offers a sharp new focus on a pivotal art movement. It also presents an extensive commentary on the two most influential critics of postwar American art--Clement Greenberg and Harold Rosenberg--whose powerful views shaped perceptions of Abstract Expressionism and other contemporary art movements. In one essay, Norman L. Kleeblatt traces the influence of Abstract Expressionism into the mid-1970s and examines its connection to subsequent art styles. Other essays range from the literary and intellectual culture of New York during that period and an analysis of sculpture and representation to a discussion of Jewish issues in relation to postwar American Art. In addition, the book features a magisterial essay by eminent critic Irving Sandler and a copiously illustrated cultural timeline by Maurice Berger.
LC Classification Number
N6512.5.A25A33 2008

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