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Japanese Popular Music: Culture, Authenticity and Power by Carolyn Stevens: New

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Specificaties

Objectstaat
Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
Book Title
Japanese Popular Music: Culture, Authenticity and Power
Publication Date
2009-01-31
Pages
186
ISBN
9780415492218

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Product Identifiers

Publisher
Taylor & Francis Group
ISBN-10
0415492211
ISBN-13
9780415492218
eBay Product ID (ePID)
71765741

Product Key Features

Number of Pages
186 Pages
Language
English
Publication Name
Japanese Popular Music : Culture, Authenticity and Power
Publication Year
2009
Subject
Philosophy & Social Aspects, Ethnic Studies / General, Popular Culture, Genres & Styles / International, Ethnic, Genres & Styles / Pop Vocal
Type
Textbook
Author
Carolyn Stevens
Subject Area
Music, Social Science
Series
Media, Culture and Social Change in Asia Ser.
Format
Trade Paperback

Dimensions

Item Height
0.4 in
Item Weight
11.4 Oz
Item Length
9.3 in
Item Width
6.3 in

Additional Product Features

Intended Audience
College Audience
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
781.630952
Table Of Content
1. Introduction 2. Definitions of Japanese Music 3. The Particulars of History 4. The Business Side: Connections, Culture and Contexts 5. Technology, Consumption and Authenticity 6. Translations: "Internationalizing" Language and Music. Appendix A: Glossary. Appendix B: Major Record Labels in Japan
Synopsis
Japanese popular culture has been steadily increasing in visibility both in Asia and beyond in recent years. This book examines Japanese popular music, exploring its historical development, technology, business and production aspects, audiences, and language and culture. Based both on extensive textual and aural analysis, and on anthropological fieldwork, it provides a wealth of detail, finding differences as well as similarities between the Japanese and Western pop music scenes. Carolyn Stevens shows how Japanese popular music has responded over time to Japan's relationship to the West in the post-war era, gradually growing in independence from the political and cultural hegemonic presence of America. Similarly, the volume explores the ways in which the Japanese artist has grown in independence vis- -vis his/her role in the production process, and examines in detail the increasingly important role of the jimusho , or the entertainment management agency, where many individual artists and music industry professionals make decisions about how the product is delivered to the public. It also discusses the connections to Japanese television, film, print and internet, thereby providing through pop music a key to understanding much of Japanese popular culture more widely., Japanese popular culture has been steadily increasing in visibility both in Asia and beyond in recent years. This book examines Japanese popular music, exploring its historical development, technology, business and production aspects, audiences, and language and culture. Based both on extensive textual and aural analysis, and on anthropological fieldwork, it provides a wealth of detail, finding differences as well as similarities between the Japanese and Western pop music scenes. Carolyn Stevens shows how Japanese popular music has responded over time to Japan's relationship to the West in the post-war era, gradually growing in independence from the political and cultural hegemonic presence of America. Similarly, the volume explores the ways in which the Japanese artist has grown in independence vis-à-vis his/her role in the production process, and examines in detail the increasingly important role of the jimusho, or the entertainment management agency, where many individual artists and music industry professionals make decisions about how the product is delivered to the public. It also discusses the connections to Japanese television, film, print and internet, thereby providing through pop music a key to understanding much of Japanese popular culture more widely., Japanese popular culture has been steadily increasing in visibility both in Asia and beyond in recent years. This book examines Japanese popular music, exploring its historical development, technology, business and production aspects, audiences, and language and culture., Japanese popular culture has been steadily increasing in visibility both in Asia and beyond in recent years. This book examines Japanese popular music, exploring its historical development, technology, business and production aspects, audiences, and language and culture. Based both on extensive textual and aural analysis, and on anthropological fieldwork, it provides a wealth of detail, finding differences as well as similarities between the Japanese and Western pop music scenes. Carolyn Stevens shows how Japanese popular music has responded over time to Japan's relationship to the West in the post-war era, gradually growing in independence from the political and cultural hegemonic presence of America. Similarly, the volume explores the ways in which the Japanese artist has grown in independence vis-à-vis his/her role in the production process, and examines in detail the increasingly important role of the jimusho , or the entertainment management agency, where many individual artists and music industry professionals make decisions about how the product is delivered to the public. It also discusses the connections to Japanese television, film, print and internet, thereby providing through pop music a key to understanding much of Japanese popular culture more widely.

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