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Pink Floyd - The Wall [Immersion Edition] [CD]
AU $221,15
OngeveerEUR 124,13
Objectstaat:
Nieuw
Een object dat niet is geopend of niet uit de verpakking van de fabrikant is gehaald (indien van toepassing). Het object is nog in de oorspronkelijke krimpfolie verpakt (indien van toepassing). Bekijk de aanbieding van de verkoper voor de volledige details.
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Bevindt zich in: Banbury, Verenigd Koninkrijk
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eBay-objectnummer:275655696833
Specificaties
- Objectstaat
- UPC
- 5099902943923
Over dit product
Product Identifiers
Record Label
EMI Music Distribution
UPC
5099902943923
eBay Product ID (ePID)
8050158362
Product Key Features
Release Year
1979
Format
CD
Genre
Rock
Run Time
314 Mins 16 Seconds
Type
Box Set
Style
Art Rock
Artist
Bruce Johnston, Pink Floyd, Toni Tennille
Release Title
Wall [Immersion Edition] [Box]
Additional Product Features
Distribution
EMI
Country/Region of Manufacture
USA
Number of Discs
7
Engineer
James Guthrie; John McClure; Nick Griffiths; Patrice Queff; Rick Hart; Brian Christian
Reviews
Rolling Stone (12/11/03, p.116) - Ranked #87 in Rolling Stone's "500 Greatest Albums Of All Time" - "...Hypnotic in its indulgence....Rock-star hubris has never been more electrifying..." Q (1/03, p.64) - Included in Q Magazine's "100 Greatest Albums Ever" CMJ (1/6/03, p.12) - Included in CMJ's list of "Top 25 College Radio Albums of All Time" CMJ (1/5/04, p.6) - Ranked #1 in CMJ's "Top 20 Most-Played Albums of 1980".
Additional information
Pink Floyd: David Gilmour (vocals, guitar); Richard Wright (vocals, keyboards); Roger Waters (vocals, bass); Nick Mason (drums). Additional personnel: Bruce Johnston, Toni Tenille, Joe Chemay, John Joyce, Stan Farber, Jim Haas, Islington Green School (background vocals). Producers: Bob Ezrin, David Gilmour, Roger Waters. Recorded at Superbear Studios, Miravel, France; Producer's Workshop, Los Angeles, California; CBS Studios, New York, New York between April and November 1979. Digitally remastered by Doug Sax (The Mastering Lab, Los Angeles, California). Personnel: Jim Haas, John Joyce, Islington Green School, Stan Farber, Toni Tennille, Joe Chemay, Bruce Johnston (background vocals). Audio Mixer: James Guthrie . Recording information: CBS, New York (04/1979-11/1979); Producers Workshop, Los Angeles (04/1979-11/1979); Studio Miraval, France (04/1979-11/1979); Super Bear Studios, France (04/1979-11/1979). Animations: Greg Miller ; Michael Stuart; Chris Caunter; Bill Magee. Director: Gerald Scarfe. Editors: Tony Fish; Peter Hearn. Illustrator: Gerald Scarfe. Photographers: Brian D. McLaughlin; Neal Preston; Jill Furmanovsky; Bob Jenkins ; Mark Fisher ; Roberta Booth; Peter Wood. The Wall was Roger Waters' crowning accomplishment in Pink Floyd. It documented the rise and fall of a rock star (named Pink Floyd), based on Waters' own experiences and the tendencies he'd observed in people around him. By then, the bassist had firm control of the group's direction, working mostly alongside David Gilmour and bringing in producer Bob Ezrin as an outside collaborator. Drummer Nick Mason was barely involved, while keyboardist Rick Wright seemed to be completely out of the picture. Still, The Wall was a mighty, sprawling affair, featuring 26 songs with vocals: nearly as many as all previous Floyd albums combined. The story revolves around the fictional Pink Floyd's isolation behind a psychological wall. The wall grows as various parts of his life spin out of control, and he grows incapable of dealing with his neuroses. The album opens by welcoming the unwitting listener to Floyd's show ("In the Flesh?"), then turns back to childhood memories of his father's death in World War II ("Another Brick in the Wall, Pt. 1"), his mother's over protectiveness ("Mother"), and his fascination with and fear of sex ("Young Lust"). By the time "Goodbye Cruel World" closes the first disc, the wall is built and Pink is trapped in the midst of a mental breakdown. On disc two, the gentle acoustic phrasings of "Is There Anybody Out There?" and the lilting orchestrations of "Nobody Home" reinforce Floyd's feeling of isolation. When his record company uses drugs to coax him to perform ("Comfortably Numb"), his onstage persona is transformed into a homophobic, race-baiting fascist ("In the Flesh"). In "The Trial," he mentally prosecutes himself, and the wall comes tumbling down. This ambitious concept album was an across-the-board smash, topping the Billboard album chart for 15 weeks
Number of Audio Channels
Stereo
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