MC YALLAH Yallah Beibe LP NEW VINYL Hakuna Kulala

Ear Candy Music
(49609)
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US $26,99
OngeveerEUR 22,90
Objectstaat:
Nieuw
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Verzendkosten:
US $4,99 (ongeveer EUR 4,23) USPS Media MailTM.
Bevindt zich in: Missoula, Montana, Verenigde Staten
Levering:
Geschatte levering tussen di, 23 sep en za, 27 sep tot 94104
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eBay-objectnummer:204525768049

Specificaties

Objectstaat
Nieuw: Een object dat niet is geopend of niet uit de verpakking van de fabrikant is gehaald (indien ...
UPC
0768558900707

Over dit product

Product Identifiers

Record Label
Hkuk, Hakuna Kulala
UPC
0768558900707
eBay Product ID (ePID)
9059363215

Product Key Features

Release Year
2023
Format
Record
Genre
Rap/Hip Hop
Artist
Mc Yallah
Release Title
Yallah Beibe

Dimensions

Item Height
0.19 in
Item Weight
0.48 lb
Item Length
12.36 in
Item Width
12.26 in

Additional Product Features

Number of Tracks
12
Country/Region of Manufacture
United States
Tracks
1.1 Sikwebela 1.2 Miniboss 1.3 Tuli Mukintu 1.4 Sunday 1.5 Big Bung 1.6 Baliwa 1.7 Yallah Beibe 1.8 Mbakebere 1.9 No One Seems to Bother 1.10 Moss 1.11 Ukweli 1.12 Hera
Number of Discs
1
Notes
Born Yallah Gudencia Mbidde in Kenya and raised in Uganda, MC Yallah has been involved in East Africa's rap scene since 1999. Alternating rhymes in Luganda, Luo, Kiswahili and English, her conscious, poetic and experimental style was slow to creep into Uganda's mainstream. Following a brief but necessary hiatus, she returned to the stage in 2018 with a new lease of life accepting her role as a central component of the Nyege Nyege/Hakuna Kulala family."Yallah Beibe" is the fiery follow-up to Yallah and Berlin-based producer Debmaster's acclaimed 2019 debut "Kubali". After her tour plans were cut short as COVID-19 broke out in 2020, Yallah returned to Kampala and started work on her sophomore album at Nyege Nyege's villa. The process was more complicated this time around, developing pointedly from an initial back-and-forth with Debmaster and flourishing as beats appeared from Japanese producer Scotch Rolex and Congolese club maestro Chrisman. The finished album is an international patchwork of futuristic cyber-rap experiments fastened together by Yallah's unforgettable personality and elastic flow. More charged than it's predecessor, "Yallah Beibe" is an apt soundtrack to a challenging era. Yallah is an experienced and versatile MC and channels her layered understanding of the complicated global cultural landscape into 12 stories that skate through trap, dancehall, club and industrial styles. Her authoritative guiding force is never more evident than on 'No One Seems To Bother', a collaboration with Duma's gravel-voiced singer Lord Spikeheart. Trading bars over Debmaster's slippery, bass-heavy rhythm, Yallah and Spikeheart ink an alternative East African sonic landscape, with activated lyrics ("the world is going under, no-one seems to bother") and rasping, death metal-inspired groans. "Yallah Beibe" is a call to action, a loud siren that's intended to educate the wider world of East Africa's shrouded history and bright future. Yallah's collaboration with rising star Rati Gan 'Bigbung Song' is the best evidence of this, looping Rati's Afro-Caribbean dancefloor flex and Yallah's politicized flow around a twisted bass-heavy beat from Chrisman, joining hands between the DRC, Uganda and the wider diaspora. Tracks like 'Baliwa' and the anthemic 'HERA' meanwhile completely center Yallah's signature lyrical dexterity, playing her tongue twisting raps against Scotch Rolex's pan-global foley-trap splatter. At times, the sounds feel as if they're from their own planet entirely - a fourth world that's rooted in collaboration rather than appropriation. If "Kubali" re-established Yallah as a force to be reckoned with, "Yallah Beibe" cements her status as one of the world's most exciting MCs, both on record and on the stage. There's nobody doing it quite like her.

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