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Art As Far As the Eye Can See
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Bevindt zich in: Beachwood, Ohio, Verenigde Staten
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Geschatte levering tussen vr, 26 sep en do, 2 okt tot 94104
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eBay-objectnummer:184426790775
Specificaties
- Objectstaat
- Vrijwel nieuw
- Opmerkingen van verkoper
- “Excellent. Like new, paperback.”
- Title
- Art As Far As the Eye Can See
- ISBN
- 9781847885401
Over dit product
Product Identifiers
Publisher
Bloomsbury Publishing
ISBN-10
1847885403
ISBN-13
9781847885401
eBay Product ID (ePID)
77566340
Product Key Features
Number of Pages
144 Pages
Language
English
Publication Name
Art As Far As the Eye Can See
Publication Year
2010
Subject
Art & Politics
Type
Textbook
Subject Area
Art
Format
Trade Paperback
Dimensions
Item Height
0.3 in
Item Weight
5.3 Oz
Item Length
8 in
Item Width
5.2 in
Additional Product Features
Intended Audience
Scholarly & Professional
Dewey Edition
22
Reviews
"An exceptional, even visionary mind." -- Leonardo Digital Reviews "If Walter Benjamin had one true intellectual descendant who extended his inquiries into the second half of the twentieth century, this must be Paul Virilio." -- Lev Manovich, author of The Language of New Media "Virilio is an impressive commentator on the conditioning power of the mass media...He flits from image to image like a poet and usually builds to a profound climax." -- The Guardian, '[Paul Virilio is] the zestfully polemical French philosopher of speed [who] no doubt hopes to ruffle a few complacent feathers with his Art As Far As the Eye Can See.', If Walter Benjamin had one true intellectual descendant who extended his inquiries into the second half of the twentieth century, this must be Paul Virilio., 'Virilio is an impressive commentator on the conditioning power of the mass media. .... He flits from image to image like a poet and usually builds to a profound climax., "An exceptional, even visionary mind." Leonardo Digital Reviews "If Walter Benjamin had one true intellectual descendant who extended his inquiries into the second half of the twentieth century, this must be Paul Virilio." Lev Manovich, author of The Language of New Media "'Virilio is an impressive commentator on the conditioning power of the mass media. .... He flits from image to image like a poet and usually builds to a profound climax." The Guardian, "An exceptional, even visionary mind." -- Leonardo Digital Reviews "If Walter Benjamin had one true intellectual descendant who extended his inquiries into the second half of the twentieth century, this must be Paul Virilio." --Lev Manovich, author of The Language of New Media "Virilio is an impressive commentator on the conditioning power of the mass media...He flits from image to image like a poet and usually builds to a profound climax." -- The Guardian, Virilio is an impressive commentator on the conditioning power of the mass media...He flits from image to image like a poet and usually builds to a profound climax., "An exceptional, even visionary mind." -- Leonardo Digital Reviews "If Walter Benjamin had one true intellectual descendant who extended his inquiries into the second half of the twentieth century, this must be Paul Virilio." --Lev Manovich, author of The Language of New Media "Virilio is an impressive commentator on the conditioning power of the mass media...He flits from image to image like a poet and usually builds to a profound climax." -- The Guardian
Dewey Decimal
701.03
Table Of Content
Preface 1. Expect the Unexpected 2. An Exorbitant Art 3. The Night of the Museums 4. Art as Far as the Eye Can See
Synopsis
Paul Virilio puts art back where it matters - at the centre of politics. Art used to be an engagement between artist and materials. But in our new media world art has changed, its very materials have changed and have become technologized. This change reflects a broader social shift. Speed and politics - what Virilio defined as the key characteristics of the twentieth century - have been transformed in the twenty-first century to speed and mass culture. And the defining characteristic of mass culture today is panic. This induced panic relies on a new, all-seeing technology. And the first casualty of this is the human response. What we are losing is the very human 'art of seeing', one individual's engagement with another or with an event, be that political or artistic. What we are losing is our sense of the aesthetic. Where art used to talk of the aesthetics of disappearance, it must now confront the disappearance of the aesthetic.
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