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ALEX KATZ: REVISED AND EXPANDED EDITION (PHAIDON By Carter Ratcliff - Hardcover
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ALEX KATZ: REVISED AND EXPANDED EDITION (PHAIDON By Carter Ratcliff - Hardcover
US $69,99US $69,99
za, 02 aug, 22:51za, 02 aug, 22:51

ALEX KATZ: REVISED AND EXPANDED EDITION (PHAIDON By Carter Ratcliff - Hardcover

soulphotos
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    Bevindt zich in: Chicago, Illinois, Verenigde Staten
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    Specificaties

    Objectstaat
    Nieuw: Een nieuw, ongelezen en ongebruikt boek in perfecte staat waarin geen bladzijden ontbreken of ...
    ISBN-10
    0714867403
    Publication Name
    Phaidon Press
    Type
    Hardcover
    ISBN
    9780714867403

    Over dit product

    Product Identifiers

    Publisher
    Phaidon Press, Incorporated
    ISBN-10
    0714867403
    ISBN-13
    9780714867403
    eBay Product ID (ePID)
    201681289

    Product Key Features

    Book Title
    Alex Katz : Revised and Expanded Edition
    Number of Pages
    336 Pages
    Language
    English
    Topic
    Individual Artists / General
    Publication Year
    2014
    Genre
    Art
    Author
    Carter Ratcliff, Barry Schwabsky, Robert Storr, Iwona Blazwick
    Book Series
    Phaidon Contemporary Artists Ser.
    Format
    Hardcover

    Dimensions

    Item Height
    1.4 in
    Item Weight
    85.2 Oz
    Item Length
    11.4 in
    Item Width
    9.8 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2014-498273
    Dewey Edition
    23
    Reviews
    "Katz's art combines the eye-jarring quality of Matisse with a distinctively American cool."-- Independent On the Contemporary Artists Series "The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about."-- Artforum "The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art."-- Time Out "A unique series of informative monographs on individual artists."-- The Sunday Times "Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment."-- The Art Book, 'Katz's art combines the eye-jarring quality of Matisse with a distinctively American cool.' - Independent On the Contemporary Artists Series 'The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about.' "- Artforum 'The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art.' - Time Out 'A unique series of informative monographs on individual artists.' - The Sunday Times 'Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment.' - The Art Book
    Dewey Decimal
    759.13
    Synopsis
    Alex Katz is a towering figure in contemporary painting, a key New York-based artist since the early 1960s. Katz is best known for his distinct portraits of sophisticated, irresistible women, masterfully painted using precise, broad areas of colour., Alex Katz is a towering figure in contemporary painting, a key New York-based artist since the early 1960s. Katz is best known for his distinct portraits of sophisticated, irresistible women, masterfully painted using precise, broad areas of colour Alex Katz first emerged on the New York art scene during the heyday of Abstract Expressionism and before the birth of Pop art, but always worked independently of these movements. Katz is best known for his distinctive portraits of sophisticated, irresistible women, masterfully painted using precise, broad areas of colour. Alongside these unmistakably 'Katzian' female portraits are pictures of men, groups, landscapes and interiors, rendered in paint on canvas or metal cut-outs as well as drawing and collage. All attest to the artist's attention to detail, economy of means and consummate technique. Larger-than-life paintings such as The Black Dress (1960), Blue Umbrella (1972), Red Coat (1982) and White Visor (2003) have entered the collective consciousness as the epitome of a particular, late twentieth-century feminine ideal. A major touring retrospective was organized by New York's Whitney Museum of American Art in 1986, and Katz has exhibited widely all over the world. His works are in the collections of The Museum of Modern Art, New York; Tate, London; the Musée National d'Art Moderne, Paris; and the Nationalgalerie, Berlin, among many others. A leading world expert on Katz, distinguished New York art critic Carter Ratcliff writes the definitive, comprehensive Survey, following Katz's work from the 1950s to the present. In the Interview New York-based curator and critic Robert Storr discusses in detail with the artist his practice and technique in the context of a changing art world. Curator Iwona Blazwick enters in her Focus the silent world of Sylvia (1962-63), a classic Katz portrait that resonates with the urban landscape occupied by both artist and sitter. For Artist's Choice Katz has selected nine works by New York School Poets, all of whom share a particular, often personal connection to his work. Artist's Writings range from an early text from 1959 on Katz's dislike of the term 'academy' to a recent text that reflects on his beginnings as an artist. Key interviews with some of the of the twentieth century's most prestigious art figures - including critic David Sylvester and artists Francesco Clemente, Jane Freilicher and Richard Prince - are also included., Alex Katz is a towering figure in contemporary painting, a key New York-based artist since the early 1960s. Katz is best known for his distinct portraits of sophisticated, irresistible women, masterfully painted using precise, broad areas of colour Alex Katz first emerged on the New York art scene during the heyday of Abstract Expressionism and before the birth of Pop art, but always worked independently of these movements. Katz is best known for his distinctive portraits of sophisticated, irresistible women, masterfully painted using precise, broad areas of colour. Alongside these unmistakably 'Katzian' female portraits are pictures of men, groups, landscapes and interiors, rendered in paint on canvas or metal cut-outs as well as drawing and collage. All attest to the artist's attention to detail, economy of means and consummate technique. Larger-than-life paintings such as The Black Dress (1960), Blue Umbrella (1972), Red Coat (1982) and White Visor(2003) have entered the collective consciousness as the epitome of a particular, late twentieth-century feminine ideal. A major touring retrospective was organized by New York's Whitney Museum of American Art in 1986, and Katz has exhibited widely all over the world. His works are in the collections of The Museum of Modern Art, New York; Tate, London; the Musée National d'Art Moderne, Paris; and the Nationalgalerie, Berlin, among many others. A leading world expert on Katz, distinguished New York art critic Carter Ratcliff writes the definitive, comprehensive Survey, following Katz's work from the 1950s to the present. In the Interview New York-based curator and critic Robert Storr discusses in detail with the artist his practice and technique in the context of a changing art world. Curator Iwona Blazwick enters in her Focus the silent world of Sylvia (1962-63), a classic Katz portrait that resonates with the urban landscape occupied by both artist and sitter. For Artist's Choice Katz has selected nine works by New York School Poets, all of whom share a particular, often personal connection to his work. Artist's Writings range from an early text from 1959 on Katz's dislike of the term 'academy' to a recent text that reflects on his beginnings as an artist. Key interviews with some of the of the twentieth century's most prestigious art figures - including critic David Sylvester and artists Francesco Clemente, Jane Freilicher and Richard Prince - are also included.

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