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ZODIAC NEW VINYL

MovieMars
(3003824)
Ingeschreven als zakelijke verkoper
US $51,83
OngeveerEUR 44,48
Objectstaat:
Nieuw
3 beschikbaar
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Gratis Economy Shipping.
Bevindt zich in: North Carolina, Verenigde Staten
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Geschatte levering tussen di, 26 aug en di, 2 sep tot 94104
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eBay-objectnummer:145161736771
Laatst bijgewerkt op 21 aug 2025 20:41:28 CESTAlle herzieningen bekijkenAlle herzieningen bekijken

Specificaties

Objectstaat
Nieuw: Een object dat niet is geopend of niet uit de verpakking van de fabrikant is gehaald (indien ...
UPC
5060149622674

Over dit product

Product Identifiers

Record Label
PUPS, Pure Pleasure
UPC
5060149622674
eBay Product ID (ePID)
2317104073

Product Key Features

Format
Record
Release Year
2018
Genre
Jazz
Artist
Payne, Cecil
Release Title
Zodiac

Dimensions

Item Height
0.18 in
Item Weight
0.70 lb
Item Length
12.35 in
Item Width
12.21 in

Additional Product Features

Number of Tracks
6
Country/Region of Manufacture
United States
Tracks
1.1 Martin Luther King Jr. (Solo By Kenny Dorham) I Know Love (Solo By Cecil Payne) 1.2 Girl 1.3 You Got a Home 1.4 Slide Hampton 1.5 Follow Me 1.6 Flying Fish
Number of Discs
1
Notes
It's impossible to talk about this album without acknowledging the spectre of death that hangs over it - not only is it the third entry in Strata-East Records' Dolphy Series, a collection of archival recordings from some of the label's close associates honoring the recently deceased multi-instrumentalist, but it is actually dedicated to two members of the band, Wynton Kelly and Kenny Dorham, who died in between the recording sessions and it's release. The point is driven home even further by the fact that the album begins with a tribute from Payne to the fallen Martin Luther King, Jr., a piece that acts as a de facto solo for Dorham - his playing all rosy elegance and regal warmth - before shifting into the lighter (though equally coolly-paced) "I Know Love," a showcase for Payne's sax. While not the most somber jazz track ever recorded, this opening suite is a low-key and mournful way to open the affair, but thankfully the album really picks off and shows these musicians more in their element the rest of the way. "Girl, You Got a Home" is a funky piece, beginning very soulfully with some tight interplay among the rhythm section of Kelly, bassist Wilbur Ware and drummer Albert Heath. Ware is in especially fine form on this track, tying together the disparate passages of the piece by grounding the more ponderous moments in a deep funk, while Kelly's playing is especially ear catching in the way he stabs at his piano like it's an organ. After the first two tracks take up nearly twenty minutes, the four-minute "Slide Hampton" feels almost impossibly brief, a feeling that's enhanced by it's quick, jittery, and infectious rhythm, driven by some really dexterous work from Kelly. The final track, "Flying Fish," may be the album's highlight, a Caribbean-inspired composition that casts the rhythm section as flighty ground for both Payne and Dorham to vamp on. The track is oddly danceable for something released on Strata-East, maybe the most fun moment ever for the label, and relentlessly uptempo. Though this release may be in part defined by the deaths that preceded it, it's clear that the recording process was actually a lot of fun for everybody, as their enthusiasm and energy jumps right out of the speakers. This is one of the first Strata East records I really got into and is still one of my favorites, a must-hear for any fans of the flightier moments of Dorham or Kelly's career, and a fitting tribute for both master musicians.

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