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Charles A. A. Dellschau Art Print Book 19th Century Flying Airships Airplanes
US $480,00
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Objectstaat:
“Book is in excellent condition with no signs of wear.”
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Ophalen:
Gratis ophalen op deze locatie: South Lyon, Michigan, Verenigde Staten.
Verzendkosten:
US $9,72 (ongeveer EUR 8,31) USPS Media MailTM.
Bevindt zich in: South Lyon, Michigan, Verenigde Staten
Levering:
Geschatte levering tussen di, 16 sep en ma, 22 sep tot 94104
Retourbeleid:
30 dagen om te retourneren. Verkoper betaalt voor retourzending.
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Winkel met vertrouwen
De verkoper neemt de volledige verantwoordelijkheid voor deze aanbieding.
eBay-objectnummer:115488186134
Specificaties
- Objectstaat
- Vrijwel nieuw
- Opmerkingen van verkoper
- “Book is in excellent condition with no signs of wear.”
- Binding
- Hardcover w/Jacket
- Special Attributes
- 1st Edition
- Printing Year
- 2013
- Subject
- 19th Century Air Ships
- ISBN
- 9781935202905
- EAN
- 9781935202905
Over dit product
Product Identifiers
Publisher
Marquand Books/D.A.P.
ISBN-10
1935202901
ISBN-13
9781935202905
eBay Product ID (ePID)
143718668
Product Key Features
Book Title
Charles Dellschau
Number of Pages
332 Pages
Language
English
Publication Year
2013
Topic
Individual Artists / Monographs, Folk & Outsider Art, American / General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Weight
0 Oz
Item Length
12 in
Item Width
12 in
Additional Product Features
Reviews
Circus hued, intricately drafted, these airborn objects are those that arrive in dreams, wheels and pulleys whirring musically, a great dynamo of effort that is belied by the gracefullness of flight. With its title-- Long Cross Cut on Wather on Land and up to the Clouds-- evoking both the engineer and the poet, the above imagioning of an airship and its uniformed crew (there's even a chef, it seems) signals the grandness of Dellschau's vision.
Dewey Edition
23
Dewey Decimal
709.2
Synopsis
In the fall of 1899, Charles A.A. Dellschau (1830-1923), a retired butcher from Houston, embarked on a project that would occupy him for more than 20 years. What began as an illustrated manuscript recounting his experiences in the California Gold Rush became an obsessive project resulting in 12 large, hand-bound books with more than 2,500 drawings related to airships and the development of flight. Dellschau's designs resemble traditional hot air balloons augmented with fantastic visual details, collage and text. The hand-drawn "Aeros" were interspersed with collaged pages called "Press Blooms," featuring thousands of newspaper clippings related to the political events and technological advances of the period. After the artist's death in 1923, the books were stored in the attic of the family home in Houston. In the aftermath of a fire in the 1960s, they were dumped on the sidewalk and salvaged by a junk dealer. Eight made their way into the collections of the San Antonio Museum of Art, the Witte Museum and the Menil Collection; the remainder were sold to a private collector. Dellschau's works have since been collected by numerous other museums including the American Folk Art Museum, the High Museum, the John Michael Kohler Arts Center and the Philadelphia Museum of Art. Like the eccentric outpourings of Adolf Wölfli, Henry Darger and Achilles Rizzoli, these private works were not created for the art world, but to satisfy a driving internal creative force. Dreamer, optimist and visionary, Charles Dellschau is one of the earliest documented outsider artists known in America. This first monograph on Dellschau includes an essay by art critic Thomas McEvilley, an essay by critic Roger Cardinal of the University of Kent, a text by James Brett of the Museum of Everything in London, an essay by Tom Crouch of the Smithsonian Institution's Museum of Air and Space, an essay by Barbara Safarova and a biographical overview by artist and independent curator Tracy Baker-White., In the fall of 1899, Charles A.A. Dellschau (1830-1923), a retired butcher from Houston, embarked on a project that would occupy him for more than 20 years. What began as an illustrated manuscript recounting his experiences in the California Gold Rush became an obsessive project resulting in 12 large, hand-bound books with more than 2,500 drawings related to airships and the development of flight. Dellschau's designs resemble traditional hot air balloons augmented with fantastic visual details, collage and text. The hand-drawn "Aeros" were interspersed with collaged pages called "Press Blooms," featuring thousands of newspaper clippings related to the political events and technological advances of the period. After the artist's death in 1923, the books were stored in the attic of the family home in Houston. In the aftermath of a fire in the 1960s, they were dumped on the sidewalk and salvaged by a junk dealer. Eight made their way into the collections of the San Antonio Museum of Art, the Witte Museum and the Menil Collection; the remainder were sold to a private collector. Dellschau's works have since been collected by numerous other museums including the American Folk Art Museum, the High Museum, the John Michael Kohler Arts Center and the Philadelphia Museum of Art. Like the eccentric outpourings of Adolf W lfli, Henry Darger and Achilles Rizzoli, these private works were not created for the art world, but to satisfy a driving internal creative force. Dreamer, optimist and visionary, Charles Dellschau is one of the earliest documented outsider artists known in America. This first monograph on Dellschau includes an essay by art critic Thomas McEvilley, an essay by critic Roger Cardinal of the University of Kent, a text by James Brett of the Museum of Everything in London, an essay by Tom Crouch of the Smithsonian Institution's Museum of Air and Space, an essay by Barbara Safarova and a biographical overview by artist and independent curator Tracy Baker-White.
LC Classification Number
N6537.D4387C49 2013
Text by
Cardinal, Roger, Crouch, Thomas, Brett, James
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