"With Dark, '80s New-Wave Keyboards That Alternately Stab and Surge...", "Kicking off with the ominous title track, it's a slow building beginning that explodes into pounding drums, fuzz bass and Morse code beeps to thrilling effect.", 4 stars out of 5 -- “Tom Smith’s stern baritone, always Editors’ biggest asset, slips like a velvet glove into the album’s gorgeous, moody synth-pop atmospheres.”
