Women and Film Animation : A Feminist Corpus at the National Film Board of Ca...
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Specificaties
- Objectstaat
- Book Title
- Women and Film Animation : A Feminist Corpus at the National Film
- ISBN
- 9781032685366
- Publication Year
- 2024
- Type
- Textbook
- Format
- Trade Paperback
- Language
- English
- Subject Area
- Design, Computers, Performing Arts
- Publication Name
- Women and Film Animation : a Feminist Corpus at the National Film Board of Canada 1939-1989
- Publisher
- CRC Press LLC
- Item Length
- 9 in
- Subject
- Digital Media / Video & Animation, Animation (See Also Film / Genres / Animated), Graphic Arts / General
- Item Width
- 6 in
- Number of Pages
- 222 Pages
Over dit product
Product Identifiers
Publisher
CRC Press LLC
ISBN-10
1032685360
ISBN-13
9781032685366
eBay Product ID (ePID)
27064416376
Product Key Features
Number of Pages
222 Pages
Publication Name
Women and Film Animation : a Feminist Corpus at the National Film Board of Canada 1939-1989
Language
English
Publication Year
2024
Subject
Digital Media / Video & Animation, Animation (See Also Film / Genres / Animated), Graphic Arts / General
Type
Textbook
Subject Area
Design, Computers, Performing Arts
Format
Trade Paperback
Dimensions
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2023-042479
Dewey Edition
23
Illustrated
Yes
Original Language
French
Dewey Decimal
791.43340820971
Table Of Content
Acknowledgments Notes Introduction PART I FILM ANIMATION, FEMINISMS, AND NFB CHAPTER 1 The Particular Nature of Film Animation CHAPTER 2 The National Film Board of Canada CHAPTER 3 (Re)presenting Women CHAPTER 4 Feminist Uprisings in Cinematographic Creation at the NFB CHAPTER 5 A Film to Highlight the International Women's Year PART II A CORPUS OF ANIMATED FILMS UNDER THE FEMINIST LENS CHAPTER 6 Motherhood, Mental Load and Mystification CHAPTER 7 Women's Labor and the Notion of Sexism CHAPTER 8 The Reassessment of Social Relations Between the Sexes CHAPTER 9 Professional Accomplishment and the Trap of Essentialism Conclusion Appendix A Short films directed by Marie-Josée Saint-Pierre Appendix B Short, animated films directed by women at the National Film Board of Canada (1939-1989) Filmography Bibliography Archives
Synopsis
The creations of female animation filmmakers are recognized all over the world while being, paradoxically, unknown to the general public. Women and Film Animation: A Feminist Corpus at the National Film Board of Canada 1939-1989 brings out of the shadows the work of true pioneers by presenting and analyzing, from a resolutely feminist perspective, the works they have conceived within the National Film Board of Canada (NFB). This institution has played an essential role in the emergence of animated cinema in Canada, but it is forgotten or ignored that a good part of this vast corpus is the work of women who have worked there not only as assistants but also as directors. These artists have contributed to changing the traditional representations of women in a unique way in both commercial and avant-garde animated cinema. The author accounts for their concerns, their creativity, and their many bright achievements. To do this, she relies on a wide range of critical works in social and cultural history of Canada, in feminist art history, and on multiple studies on animated cinema. Key Features: Provides an interdisciplinary approach that combines concepts from feminist studies, film theory and visual arts for a nuanced analysis of the role of women in animated cinema. Discusses historical and sociological background that sheds light on the condition of women; Includes a profound analysis of the changes and continuities in the role of women in this industry over time, focusing on the National Film Board of Canada. Features previously unreleased archival material and selected excerpts from reviews by the NFB's programming committee, highlighting the impact of production circumstances of the works of specific women animators., · Provides an interdisciplinary approach that combines concepts from feminist studies, film theory and visual arts for a nuanced analysis of the role of women in animated cinema. · Discusses historical and sociological background that sheds light on the condition of women; · Includes a profound analysis of the changes and continuities in the role of women in this industry over time, focusing on the National Film Board of Canada., The creations of female animation filmmakers are recognized all over the world while being, paradoxically, unknown to the general public. Women and Film Animation: A Feminist Corpus at the National Film Board of Canada 1939-1989 brings out of the shadows the work of true pioneers by presenting and analyzing, from a resolutely feminist perspective, the works they have conceived within the National Film Board of Canada (NFB). This institution has played an essential role in the emergence of animated cinema in Canada, but it is forgotten or ignored that a good part of this vast corpus is the work of women who have worked there not only as assistants but also as directors. These artists have contributed to changing the traditional representations of women in a unique way in both commercial and avant-garde animated cinema. The author accounts for their concerns, their creativity, and their many bright achievements. To do this, she relies on a wide range of critical works in social and cultural history of Canada, in feminist art history, and on multiple studies on animated cinema. Key Features: Provides an interdisciplinary approach that combines concepts from feminist studies, film theory and visual arts for a nuanced analysis of the role of women in animated cinema Discusses historical and sociological background that sheds light on the condition of women Includes a profound analysis of the changes and continuities in the role of women in this industry over time, focusing on the National Film Board of Canada Features previously unreleased archival material and selected excerpts from reviews by the NFB's programming committee, highlighting the impact of production circumstances of the works of specific women animators, This book brings out of the shadows the work of true pioneers by presenting and analyzing, from a resolutely feminist perspective, the works they have conceived within the National Film Board of Canada.
LC Classification Number
NC1766.C3S2513 2024
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